Every once in a while Director David Fincher resurrects and creates an instant classic that’s quite hard to pass by. This year, he reawakens to adapt a bestselling thriller that made it in the charts in 2012 and delivers a film that drives home a point.
Based on Gillian Flynn’s thriller novel, GONE GIRL (2014) unearths the secrets at the heart of a modern marriage. On the occasion of his fifth wedding anniversary, Nick Dunne (Ben Affleck) reports that his beautiful wife, Amy (Rosamund Pike), has gone missing. Under pressure from the police and a growing media frenzy, Nick’s portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife?
The circumstances were convenient, absurd, and arguably stupid, that at some point you scratch your head and think differently. But knowing that Fincher is behind all these, we faithfully submit to such irrationality and let ourselves get swayed, believing that we are in good hands. With a perfect cast and intelligent direction, GONE explores the duality in all of us and wonderfully presents the argument: that even in the most absurd of things, our willing suspension of disbelief is slowly killing our most prized common sense. That in our generation of uncensored social media, sensationalized programming, down to the smallest of gossips, we all embrace and fight for a truth as fabricated by just one.