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News: Cultural Center of the Philippines unveiled their line up of programs for 2020.

50CCP Cultural Center of the Philippines 50th year Logo

THE Cultural Center of the Philippines unveiled its 2020 performance season.  CCP vice president and artistic director Chris Millado presented the CCP’s year-long programming in a press conference held recently at the CCP Tanghalang Huseng Batute.

CCP welcomes the new year with forthcoming productions from its resident companies – the Philippine Philharmonic Orchestra, Ballet Philippines, Philippine Ballet Theatre, Tanghalang Pilipino, Ramon Obusan Folkloric Group, Bayanihan Dance Company, UST Symphony Orchestra, National Music Competitions for Young Artists (NAMCYA), and the Philippine Madrigal Singers.  Local and international outreach performance tours are likewise set for some of the resident companies throughout the year.

_14 Dulaang UP Fuente Ovejuna
A scene from Dulaang UP’s production of Lope de Vega’s “Fuente Ovejuna”. Photo by Erickson dela Cruz

A University Theater Season is set in 2020 wherein select university-based theater groups take to the CCP venues to showcase next-generation talent in their productions of original Filipino works, adaptations of classics and experimental work.  The season of university theater productions ramps up to the 13th International University Theater Association’s (IUTA) Congress and Festival to be held in August.

International Filipino tenor Arthur Espiritu leads a stellar international cast from Italy and Manila in the staging of the opera “Lucia Di Lammermoor” by Gaetano Donizetti, the Italian-language libretto written by Salvadore Cammarano based upon Sir Walter Scott’s historical novel “The Bride of Lammermoor.”

Ternocon II, a unique competition involving the young designers in a mentoring atelier workshop with established designers in a process that engages the history, technique, and construction of the classic Filipino terno, culminates in a grand fashion concert where the winners are announced.

Other events include concerts (Triple Threats), festivals (CCP Jazz Festival in Baguio City, Banda Rito Banda Roon: Symphonic Band and Clarinet, The Rainbow LGBTQI Arts; Festival of Arts and Ideas), plays (Tanghalang Pilipino’s “Batang Mujahideen” and “Lam-Ang, an Ethno-Epic Musical”), a production of “Senadala at Persyanus: Ang Bagong Mukha ng Moro by community-based theater organization Komedya ng Don Galo, and other productions. 

Markki Stroem at the Cultural Center of the Philippines, Photo by Erickson dela Cruz
Markki Stroem will be part of the Triple Threats concert series. Photo by Erickson dela Cruz.

Highlights of the 2020 CCP season calendar include the inauguration of the CCP’s newest venue Tanghalang Ignacio Gimenez (CCP Black Box Theater), the first CCP Arts and Social Media Festival, Launching of Rare Digitized CCP Performances Collection of the CCP Library and Archives, and the Genesis Magazine Anniversary Edition, CCP Digital Time Capsule, Luces: Festival of Illuminations, CCP Arthouse Cinema screenings, Philippine Hip-Hop Dance Championship and the like.

 The CCP Encyclopedia of Philippine Art (EPA) will soon be available digitally in 2020 including a Digital Installation, Website launch, Mobile Application, and Offline Version as well.

 There are also the CCP regular events such as the Pasinaya, considered the largest multi-arts festival in the country; the Virgin Labfest, the annual festival of raw, untested and unstaged one-act plays, followed by an Extra Virgin LabFest to be held in other regions; Cinemalaya, the largest independent film festival with the aim to support cinematic works by upcoming and veteran Filipino filmmakers.

 Proud of its art education and outreach programs, the CCP continues to hold various training and workshops for national rondalla, national folk dance for teachers, choral groups, and summer dance, to name some.

 Must-see exhibitions include the following: “1986 People Power Revolution – The aftermath from Cultural Center of the Philippines to Sentrong Pangkultura ng Pilipinas: The Center in the Midst of Change”,  “Valerio Nofuente and Emmanuel Sanchez Collections: The Banned Library Materials During the Martial Law Era”, “Allegories And Realities Ofelia Gelvezon-Tequi: In Retrospect”, Launching of the 21AM (21st Century Arts Museum), “1st of May: The Roles of Amado Vera Hernandez and Isabelo Florentino De Los Reyes in the History of the Labor Movement in the Struggle for Social Justice and Liberation”, Severino Rivera Reyes (1861-1942) “Father of the Tagalog Sarsuwela”, “Launch of the CCP Print Folio: 20/30 I & II: A Limited Edition Print Portfolios in Celebration of the 50th Year Anniversary of CCP”, Cinemalaya Eye Fix, among other shows.

 

HIGHLIGHTS OF THE CCP INSTITUTIONAL PRESSCON:

(posted by Mr. Camilo Villanueva Jr.)

  • The fully editable and interactive Digital CCP Encyclopedia of Philippine Arts, to be distributed free to public schools and universities.
  • Interactive Digital Wall Installations, which not only feature full info on current shows but also layerable timeliness on the different arts, along with a Time Capsule.
  • CCP Digital HD to extend the lifespan of high-budgeted productions to be launched with Virgin Lab Fest’s “Mga Kontrabida” by Lasallian Dustin Celestino.
  • A Dulaang UP production of Lope de Vega’s “Fuente Ovejuna“, the last work of Antonio “Tony” Mabesa+, translated by Nicolas Pichay.
  • The First Social Media and the Arts Festival in May, a brainchild of Irene Rada who is retiring this year.
  • The opening of CCP’s New Black Box Theater, which Tess Rances herself assured will finally push through.
  • The revival of Triple Threats concerts featuring Markki Stroem, among others, and
  • Spinifex Group’s dynamic Audiovisual Light and Video Matting for the CCP Facade in September, 2020

 For more information, please call CCP at 8832-1125 and visit www.culturalcenter.gov.ph

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News: CINEMA UNDER THE STARS AT CCP

CCP SINAG Festival of Radiance 12

Enjoy the yuletide season while watching free movies as the Cultural Center of the Philippines presents Cinema under the Stars, a three-night special event featuring screenings of the best Cinemalaya, Gawad Alternatibo, and select family-friendly films, surrounded by the glittering parols and featuring performances as part of the CCP’s Sinag: Festival of Radiance from December 13-15, 2019 at the CCP Front Lawn at 6pm.

Sinag: Festival of Radiance is a light and sound show showcasing the CCP’s fifty years of excellence in the field of performing, literary, visual and multi-media arts and its continuing partnership with its regional network.

CCP SINAG Festival of Radiance 07
The 20-feet sundial art installation by artist Toym Imao Jr. Photographed by Erickson dela Cruz
CCP SINAG Festival of Radiance 02
Abner Delina Jr. hosts the program. Photographed by Erickson dela Cruz

The performances complement the beautiful lanterns created by the Kapampangan craftsmen from the renowned family of lantern makers, now led by 5th generation artisan, Arvin Quiwa, as well as the 20-feet sundial art installation by multimedia artist Abdulmari “Toym” Imao Jr.  Located at the CCP Front Lawn, the installation represents the role of arts and culture in society over time.
CCP SINAG Festival of Radiance 08
CCP SINAG FEstival of Radiance 01

CCP SINAG Festival of Radiance 04
Sir Ariel Yonzon of the Cultural Center of the Philippines led the Organizing Committee for this event. Photographed by Erickson dela Cruz

CCP SINAG Festival of Radiance 05

CCP SINAG Festival of Radiance 10
Creator of PANDESALAWAL film Direk Che Espiritu graces the event. Photographed by Erickson dela Cruz

CCP SINAG Festival of Radiance 09

CCP SINAG Festival of Radiance 11

Program for the event consists of the following:

December 13, Friday

6pm-6:25pm – Sinag: Festival of Radiance – a light and sound spectacle

6:30pm-7pm – Diskarte by Mich Cervantes and Agu Crisostomo – Short film

            Asan Si Lolo Me? by Sari Estrada – Short film

7pm-7:25pm – Sinag: Festival of Radiance

7:30pm-9:20pm – Christmas in Our Hearts Reloaded (by RESBAK) – Short film

        Pan De Salawal by Che Espiritu – Full length film

9:20pm-9:45pm – Sinag: Festival of Radiance.

 

December 14, Saturday

6pm-6:30pm – Ephesus Teatron Group Inc.’s Tribu – Performance

6:35pm-7pm – Sinag: Festival of Radiance

7pm-7:30pm – Ephesus Teatron Group Inc.’s Tribu – Performance

7:30pm-9:20pm – Maligaya Sana Ang Pasko (by RESBAK) – Short film

                          Paper Cut by Patricia Baguio Camino – Short film

                          Ekstra by Jeffrey Jeturian – Full length film

9:20pm-9:45pm – Sinag: Festival of Radiance.

 

 

December 15, Sunday

6pm-6:30pm – PWU Indayog Gongs – Performance

6:35pm-7pm – Sinag: Festival of Radiance

7pm-7:30pm – PWU Indayog Gongs – Performance

7:30pm-9:20pm –

      Christmas In Our Hearts Reloaded (by RESBAK) – Short film

      Sa Saiyang Isla by Christian Candelaria – Short film

      Doon Sa Kabila Ng Bulkan by Ellen Ramos – Short film

      Ang Maangas, Ang Marikit at Ang Makata by Jose Ibarra Guballa – Short film

      Ang Babae Sa Septic Tank by Marlon Rivera – Full length film

9:20pm-9:45pm – Sinag: Festival of Radiance.

 

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News: Daang Dokyu – A Festival of Philippine Documentaries Launched

Daang Dokyu (white) banner

With 100 years on its back, Philippine cinema celebrations have mainly focused on narrative films. A group of filmmakers now feel it is high time that films with real-world impact and purpose are celebrated.

Documentary filmmakers Jewel Maranan, Baby Ruth Villarama, Kara Magsanoc-Alikpala and Monster Jimenez have decided to initiate a move towards this and pioneer a documentary festival about the Philippines.

What started as a casual conversation two years ago among the four women gradually evolved into a full-scale documentary-driven event.
 
“We want people to fall in love with documentaries.  Like any good movie, it can be compelling, emotional, life changing, life-saving and transformative,” shares broadcast journalist Kara Alikpala.

Daang Dokyu is a festival of Philippine documentaries slated from February 15 to 20, 2020 at Cine Adarna at the University of the Philippines. 

The six-day festival will exhibit films curated and presented with Q&As with filmmakers. It will hold a supplemental exhibition presenting the expanse of Philippine documentaries; launch a book on Philippine documentaries; and will culminate with the first ever Philippine Documentary Forum, which will be the largest gathering of documentary filmmakers in the country.

Researchers of the Daang Dokyu Festival have already found 200 remarkable documentaries, and the festival is looking forward to discovering more.

“We are at a point when there has never been as many documentary practitioners in our cinema history not only continuing the practice of documentary filmmaking but also actively pushing the limits of acceptable form, stories and ways of seeing. For this, Daang Dokyu is an occasion for the inspiration and encouragement of the documentary community,” says documentarist Maranan who is also the founder of Cinema Is Incomplete, an alternative arts and film distribution center.

Daang Dokyu is still open to look into films that resonate with Pinoys, provoke convention, or question existing taboos. They are also hoping to discover hidden films emerge from different regions.

The search is ongoing for nonfiction or documentary work of any type and running length.

Updates on the Daang Dokyu Festival are available at daangdokyu.ph and on its various social media platforms. For direct inquiries on film submissions, email info@daangdokyu.ph.

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NEWS: EIGHT MUST-WATCH FOREIGN FILMS, FEATURE IN 2019 CINEMA ONE ORIGINALS FESTIVAL THIS NOVEMBER

Cinema One Originals World Cinema v2

Cinema One Originals brings multitude of new takes on storytelling through its exciting World Cinema section line up for its 15th year, featuring the films “The Lighthouse,” “The Father,” “The Invisible Life of Eurice Gusmao,” “Knives Out,” “Matthias and Maxime,” “Portrait of a Lady on Fire,” “The Truth,” and “The Two Popes.”

Opening the festival is the much-awaited sophomore film from “The Witch” director Robert Eggers, “The Lighthouse,” which stars Willem Dafoe and Robert Pattinson as lighthouse keepers slowly going insane on a black rock. David Sims of theatlantic.com commends the film for capturing its audience in its strangeness. He wrote, “It’s a bracing squall of a movie, a briny delight that’s as amusing as it is mesmerizingly strange.”

The Lighthouse poster

Thematically kindred in many ways, Fernando Meirelles’ “The Two Popes“, about the often tenuous relationship between Pope Benedict XVI and Pope Francis, is also about two men negotiating their estrangements. The Netflix film stars Anthony Hopkins and Jonathan Pryce.

The Two Popes poster

Alienation shadows two other films in the lineup, this time, between parent and offspring, with Kristina Grozeva and Petar Valchanov’s tragicomic road movie “The Father“, which won the Crystal Globe at the 2019 Karlovy Vary International Film Festival, centering on a father who takes a trip with his son after their neighbor claims his dead wife has been making phone calls from beyond the gravel; and Hirokazu Kore-Eda’s follow-up to his Palme D’Or winning “Shoplifters,” and first feature outside his native Japan, “The Truth.” It features Catherine Deneuve as a French movie star whose tumultuous relationship with her daughter gets even more fractious when her revealing memoir goes into publication. The film also stars Juliette Binoche, Ethan Hawke, and Ludivine Sagnier.

The Father poster
The Truth

Xavier Dolan’s present day “Matthias And Maxine,” where two friends reconcile dormant and kindled feelings during a summer abroad, and Celine Sciamma’s period drama “Portrait Of A Lady on Fire“, which screened in competition at the 2019 Cannes Film Festival and won both the Best Screenplay award as well as the Queer Palm, about a young painter who falls in love with her subject, may be generations apart in their settings, but both are incisive and poignant evocations of desire. According to theguardian.com, the director demonstrated “a deeply satisfying new mastery of classical style to go with the contemporary social realism” in this drama.

Matthias & Maxime
Portrait of a Lady on Fire poster v2
Brazilian filmmaker Karim Aïnouz’s describes his sprawling and expansive “The Invisible Life of Eurice Gusmao”, which won the Un Certain Regard prize at the 2019 Cannes Film Festival and is based on Martha Batalha’s 2016 novel, as a tropical melodrama with all the emotional upheavals the descriptor suggests, while Rian Johnson’s “Knives Out” is an Agatha Christie riff that lovingly reconstructs it while cleverly deconstructing it and being fiendishly entertaining in the process. Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, and Christopher Plummer star in this film.


The Invisible Life of Eurice Gusmao
Knives Out poster
The Lighthouse” officially opens the 15th Cinema One Originals on November 7 (Thursday), 7pm at Ayala Malls Manila Bay Cinema 7. The festival runs from November 7 to 17 at Trinoma, Glorietta, Ayala Malls Manila Bay, Gateway, and Powerplant Makati. There will also be screenings at Vista Cinemas in Iloilo and Evia Lifestyle and in Cinema Centenario, Cinema ‘76, Black Maria, UP Cine Adarna, and FDCP Cinematheque Manila.

For updates, visit @CinemaOneOriginals on Facebook, @c1origs on Twitter and @c1originals on Instagram.

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News: Cinema One Originals continue in challenging audiences on their 15th-year of delivering brave cinematic experiences

2019 Cinema One Originals Logo

For its fifteenth year, Cinema One Originals loudly and proudly declares what it’s stood for all these years, originality in all its forms, with the tagline “Kaya Mo Ba?” (Can you handle it?) challenging old and new audiences if they’re ready for the Cinema One Originals experience that goes beyond cinema, beyond cinephilia, beyond entertainment.

All these years, the Cinema One Originals mandate is to give filmmakers, first-timers and otherwise, a platform to fully express their visions. This year, eight original narrative features got P3 million worth of grant each. There are four first time filmmakers, three previous Cinema One Originals alumni, and one director making her second feature and her Cinema One Originals debut.

The Cast and crew of METAMORPHOSIS, C1Originals 2019, Photo by Erickson dela Cruz
J.E. Tiglao makes his feature debut with “Metamorphosis” which stars Gold Aceron, Iana Bernardez, Ivan Padilla, Ricky Davao, and Yayo Aguila in a coming-of-age drama about intersexuality that’s as wistful as it is provocative.

UTOPIA cast and crew, C1Originals 2019, Photo by Erickson dela Cruz

Dustin Celestino reverses the wrong time/wrong place dynamics of noir with a little help from a comet in “Utopia,” a blackly comic riff on the genre starring Enzo Pineda, Joem Bascon, and Aaron Villaflor.

Jana Agoncillo and Eve Baswel from TIA MADRE, C1Originals 2019, Photo by Erickson dela Cruz

Eve Baswel’s “Tia Madre” is a gothic horror featuring Cherie Gil and Jana Agoncillo in which a young girl starts to suspect her mother has been changed into something not quite herself and perhaps not quite human either.

Yours Truly, Shirley cast and crew - C1originals 2019, Photo by Erickson dela Cruz

Nigel Santos’ “Yours Truly, Shirley” casts Regine Velasquez as a widow who believes a young pop star (Rayt Carreon) is the reincarnation of her late husband.

Returning to Cinema One Originals are Victor Villanueva and Kevin Dayrit, who made their feature film debuts with Cinema One Originals.

Victor Villanueva, Alessandra de Rossi, JM de Guzman of LUCID, C1Originals 2019, Photo by Erickson Dela Cruz

Victor’s resumes his fascination with the intertwining of rom-com tropes with supernatural tinges that made “My Paranormal Romance” a quirky treat with “Lucid”, in which Alessandra De Rossi plays a lucid dreamer whose waking life and dream life start to blur when she meets JM De Guzman.

The Cast and crew of O _C1Originals 2019, Photo by Erickson dela Cruz

Kevin, whose “Catnip” was the multi-awarded darling of its year takes on vampirism, necrophilia, the drug wars and rom-coms in “O” which stars Anna Luna, Lauren Young and Jasmine Curtis-Smith.

Topper Fabregas, Gio Gahol and Giancarlo Abrahan from SILA SILA, C1Originals 2019, Photo by Erickson dela Cruz

Giancarlo Abrahan whose second feature was the Best Picture-winning Cinema One Original “Paki” returns with “Sila Sila”, which stars Gio Gahol and Topper Fabregas and which he describes as an LGBT ghosting story and which finds him taking another look at the interstitial dynamics of yet another extended family, a group of friends nursing consensual emotional traumas.

Denise O' Hara, Jane Oineza and JC Santos of Tayo Muna Habang Hindi Tayo, C1Originals 2019

Denise O ‘Hara makes her Cinema One Originals debut and her second feature with “Tayo Muna Habang Hindi Pa Tayo” a rom-com inversion with JC Santos and Jane Oineza, about the underside of trauma that even the truest of loves have.

Cinema One Originals has been producing breakthrough films with thought-provoking contents for the Filipino audience for 15 years. This year’s celebration will be held in line with the 100th anniversary of Philippine Cinema and the 25th anniversary of leading cable channel Cinema One.

Fresh, cool, vibrant, inclusive, brave, original. The 15th Cinema One Originals runs from November 7 to 17 at Trinoma, Glorietta, Ayala Manila Bay, Gateway, and Powerplant Makati. There will also be screenings at Vista Cinemas in Iloilo and Evia Lifestyle and in Cinema Centenario, Cinema ‘76, Black Maria, UP Cine Adarna, and FDCP Cinematheque Manila.

For updates, visit @CinemaOneOriginals on Facebook, @c1origs on Twitter and @c1originals on Instagram.

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News: Glenn Barit’s debut film wins top award at the 2019 QCinema International Film Festival

CLEANERS cast and crew receives the Best Film award at the QCINEMA 2019 (image 01)

A film made of photocopied stills and hand colored with highlighter pens wins big at QCinema International Film Festival.

Cleaners of debuting filmmaker Glenn Barit won best film, besting seven other films in the QCinema’s main competition section – Asian Next Wave.

The nostalgic coming-of-age film Cleaners, set in schoolyear 2007-2008 in a high school in Tuguegarao, also bagged audience choice award and best screenplay.

Glen Barit, Director of CLEANERS, a full length film entry in the Qcinema 2019.

 

CLEANERS cast and crew receives the Best Film award at the QCINEMA 2019.

 

CLEANERS cast and crew, QCINEMA International Film Festival. Photographed by Erickson Dela Cruz © 2019

Two other new directors bagged major awards. Chinese Qui Sheng won the NETPAC Jury Prize for Suburban Birds and Rae Red brought home the best director award for her first solo-directorial work, Babae at Baril. The film, Babae at Baril, also won the Gender Sensitivity Award.

Janine Gutierrez, who plays the titular lead in Red’s film, got her first international acting award as best actress while Por Silatsa of the Laotian film The Long Walk won best actor.

Lee Chatametikool of the Thai and German film Nakorn-Sawan was recognized for his artistic contribution in film editing.

It is the first time QCinema pitted its local grantees against Asian directors in this competition section, Asian Next Wave (ANW) Competition . It put in ANW’s wing the former cluster — Circle Competition, which was for the Filipino filmmakers.

In the QCShorts competition, Judy Free won best short film for Che Tagayamon, a recent UP film graduate,

Judy Free is about a young girl whose reality is intruded when her father, an overseas Filipino worker, brought home an animated doodle figure.

The Special Jury Prize was awarded to Bontoc-based filmmaker, Carla Pulido Ocampo. The comedy short Excuse Me Miss Miss Miss by Sonny Calvento garnered the audience choice award for shorts.

This year’s batch of winners is an affirmation of the festival’s theme, Rising Wave, which recognizes debuting and female filmmakers.

The international set of jury for the Asian Next Wave is headed by renowned screenwriter Ricky Lee. The members are Richard Bolisay, Toshiyuki Hasegawa, Phan Dang Di, and Claire Marty.

The QCShorts competition jury members are Sari Dalena, Jun Sabayton, and Benjamin Tolentino.

Also, for the first time in 7 years, QCInema recognized the contribution of one of the living pillars of the film industry. The Lifetime Achievement Award went to Mr. Vic del Rosario or “Boss Vic” of Viva Films.

This 7th edition of QCinema is its biggest yet, with 73 titles contained in 10 sections. Twelve of these have received generous grants, which are 3 full-feature films, 6 shorts, and 3 documentaries.

The festival will run until October 22 at Gateway Cineplex 10, Robinsons Movieworld Galleria Ortigas, Ayala Malls Cinema Trinoma, Cinema Centenario, Cinema 76 Anonas, and Cine Adarna.

Festival partners are Quezon City Film Development Commission, The Movie and Television Review and Classification Board, The Film Development Council of The Philippines, Sine Sandaan, Australian Embassy, Embassy of France, Japan Foundation, Embassy of the Republic Of Singapore, Viva Communications, ABS-CBN Sagip Pelikula, CMB Film Services, Outpost, Novotel Manila Araneta City, Cinema Bravo, ClickTheCity, GMA 7, Phar Philippines, Film Geek Guy, Film Police, Pelikula Mania, PEP.ph, MagandaBa, MagandaBa Movie, When in Manila, Unreel, Geoffreview, Explore Philippines, Business Mirror, and Jura Single Malt Scotch Whisky.

For more information, log on to qcinema.ph

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News: PhilPop, PETA and NCCA boost Taga-Alog 2019 campaign with songwriting bootcamp

Taga-Alog Mini Bootcamp

PhilPop, Philippine Educational Theater Association (PETA), National Commission on Culture and the Arts (NCCA) have teamed up for Taga-Alog Mini Bootcamp—a two-day songwriting workshop that aims to promote Ilog Pasig as a center of cultural narrative and heritage, as well as raise awareness for the rehabilitation efforts of the river through creative advocacy in music.

Songwriting for Advocacy 

Headed by acclaimed and award-winning music industry professionals Noel Cabangon, Trina Belamide, and Jungee Marcelo, the music camp gathered upcoming composers and songwriters who have shown immense promise in writing the next big anthem for the environment. 

With the success of last year’s TampisAwit and its initiative to foster a culture of sustainability and utmost care for Ilog Pasig, PETA and NCCA have expanded the mentorship program for budding songwriters and composers by tapping PhilPop to come up with a more comprehensive syllabus that put emphasis on Songwriting for Advocacy.

 

Camp Activities

Fellows were in for a treat as mentors provided their expertise on songwriting basics with emphasis on both form and content. The sessions included consultation with the coaches, as well as presentation and evaluation of their work. 

“This time, we’re not only imparting techniques to improve their craft,” Taga-Alog Mini Bootcamp 2019 Chairman Noel Cabangon said. “It is also our responsibility to prepare them in the real world, and help them pitch advocacy concepts that are geared toward creative ways to build awareness on various environmental causes. As musicians, we are more than just entertainers; we can change the world with our art.”

The two-day songwriting workshop and competition culminated with the performance of the top 5 finalists and the announcement of the top 3 songs. The first place winner will be given a grant for official recording and promotions during the entire Taga-Alog campaign for 2019.

 

Day 1 Photos:

 

Day 2 Photos:

 For more information, visit the Taga-alog official Facebook page (https://www.facebook.com/TagaAlog/) or email nccatagaalog@gmail.com

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News: German Club Manila’s 81st Oktoberfest is Happening at Solaire

81st Oktoberfest in Solaire v2

Solaire and German Club Manila once again bring you the much-awaited and most authentic Oktoberfest celebration in Manila happening on October 17 to 19 at The Tent at Solaire.

In its press conference held recently, members of the media were given a preview of this year’s Oktoberfest and what the public should look out for. Decked in true Oktoberfest fashion, Solaire’s The Forum was transformed to vividly resemble the look and feel of Oktoberfest celebrations in Munich, Germany.

Guests were greeted with sumptuous appetizers. Openers came in a basket of oven-fresh German breads and pretzels, two types of salads: Munich style sausage salad and German potato salad, and a German cold cuts and cheese platter were shared and served as conversation starters.

Like in previous years, the master of ceremonies continues to be German Club’s Michael Scheile with Eiffelene Salvador as co-emcee, who introduced the hosts for the 81st Oktoberfest. Solaire’s Vice President of Food & Beverage Knut Becker expressed his delight in this renewed partnership, “This year’s 81st Oktoberfest will continue to be authentic and put the spotlight on the best of German culture. Following a very successful Oktoberfest celebration last year, we are thrilled to be hosting once again German Club Manila’s Oktoberfest celebrations and look forward to continuing this partnership.”

Tobias Rast, German Club Manila’s President stated, “The German Club Manila is excited to celebrate this year’s Oktoberfest celebration once again with Solaire. The previous year broke our own records. We look forward to a more dynamic and vibrant celebration of the German culture through the Oktoberfest celebration.”

Officially opening the event, Solaire VP of Food & Beverage Knut Becker, German Club Manila President Tobias Rast, and Solaire VP for Culinary Michael Dinges were invited up the stage for the ceremonial toast followed by the lively music that signals the beginning of the increasingly speedy tempo of the Fliegerlied, an Oktoberfest classic that brings the crowd on their feet and to the dance floor.

Solaire’s Vice President of Culinary Michael Dinges shared what’s special about this Oktoberfest, “The German Club Manila’s Oktoberfest here at Solaire underscores authenticity. From the Weihenstephan beer, entertainment by the Bavarian Sound Express, to the homemade German sausages and delicacies from family recipes, all have their roots from Germany. Guests will receive an overflowing selection of Germany’s best tastes and flavors, surrounded by the finest Filipino hospitality.”

Lederhosen clad gents and dirndl wearing ladies emerged with Bavarian delicacies. A variety of sausages like the Weisswurst, and an assortment of meats such as pork schnitzel, Swabian red bratwurst, Kaesekrainer and veal sausages, were presented in mouthwatering platters and samplers. Classic desserts like the apple and walnut strudel with vanilla sauce and ice cream, and Kaiserschmarn, a dish made of shredded rum raisin pancakes with berry compote and vanilla sauce were the perfect balancer after a hearty dose of German goodness.

To show the kind of fun to be expected on the 81st Oktoberfest, guests were invited to a beer drinking game and a food relay to test the competitiveness of each player. The gentlemen were given two 500mL steins filled with beer that they must race to finish in record breaking time. The same mechanics apply to ladies, but with only one 500mL stein of beer. Groups got a kick out of the food relay game as each team raced to finish more pretzels and sausages following a heavy serving of German fare. For those who weren’t able to participate, an exciting raffle draw await offering the chance to win coveted prizes.

The 81st Oktoberfest will be a surefire hit with its knockout roster of the most authentic German dishes, and astonishing program filled with exciting entertainment. Buy your tickets for this year’s much awaited and most authentic Oktoberfest celebration in Manila. For more information and ticket reservations, you may call the German Club at 894 2899 or 818 4236 or book online at www.oktoberfest.ph

 

More photos from the press conference:

Photographs by Erickson dela Cruz

 

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