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NEWS: ANG LARAWAN The Musical makes it to the MMFF

ANG LARAWAN (2017)

The producers, filmmakers and supporters of ANG LARAWAN, the musical based on Nick Joaquin’s play A PORTRAIT OF THE ARTIST AS FILIPINO, are getting their Christmas wish: for the film to be included in the Metro Manila Film Festival 2017.

In the announcement made by the MMFF organizing committee on the afternoon of November 17 at Club Filipino in Greenhills, “Ang Larawan” was given one of the four remaining slots given to finished films.

In this story about art versus pragmatism set in 1941, two unmarried sisters, Candida and Paula, are in dire straits following the hibernation of their painter-father Don Lorenzo Marasigan. Their father gives them his last masterpiece, which could fetch a huge amount of money and yet the sisters refuse to part with it. That is until their boarder, Tony Javier, presents an irresistible proposition.

ANG LARAWAN (2017)
Paulo Avelino as Tony Javier, Rachel Alejandro and Joanna Ampil as Paula and Candida Marasigan in ANG LARAWAN (2017)

ANG LARAWAN features an all-star ensemble cast led by Joanna Ampil as Candida, Rachel Alejandro as Paula and Paulo Avelino as Tony Javier. It also stars Nonie Buencamino, Menchu Lauchengco-Yulo, Robert Arevalo, Celeste Legaspi, Sandino Martin, Cris Villonco, Aicelle Santos, Cara Manglapus, Jojit Lorenzo, with the special participation of Ogie Alcasid, Rayver Cruz, and Zsa Zsa Padilla and Bernardo Bernardo, Jaime Fabregas, Noel Trinidad, Nanette Inventor and Dulce.

“Ang saya ng Pasko ko!” said Paulo. “Mabuhay ang musika at pelikulang Pilipino!” he added with enthusiasm.

“We’ve been hoping and praying for a positive outcome and finally we have it. We thank the MMFF for the chance to show our passion project to a wide audience,” said Girlie Rodis, one of the executive producers whose Culturtain Musicat Productions Inc. is the outfit behind the musical film. “The timing is also good because this year is the centennial of the birth of Nick Joaquin,” she added.

The inclusion in the MMFF comes at the heels of the world premiere of the film at the 30th Tokyo International Film Festival (TIFF) where ANG LARAWAN (international title: THE PORTRAIT) got SRO screenings and rave reviews. Richard Kuipers of Variety described it as “a stirring musical drama… THE PORTRAIT proves a handsomely produced-big screen adaptation… featuring classy melodrama and terrific tunes performed by a dream cast.” Weeks after the premiere at TIFF, “Ang Larawan” opened the Cinematografo International Film Festival in San Francisco where it also got a sold-out screening and reaped acclaim.

ANG LARAWAN (2017) International Poster
ANG LARAWAN (2017) International Poster

In a message sent from Cologne Germany where she is on tour for the European production of the musical “Cats,” lead actress Joanna Ampil applauded the decision of the MMFF saying, “We live in an era where the audience is geared towards supporting commercial movies. Ours may not be as commercial but it has an important message and we made it with a lot of heart. Getting into MMFF, it’s good to know that quality movies have a chance.”

For information and updates, log on to anglarawan.com and facebook.com/AngLarawanTheMovie.

 

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REVIEW: HAIR Steers the Mind

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4.3Hot

Gerome Ragni, James Rado and Galt Macdermot’s HAIR came to New York during the time of the experimental theatre movement, so don’t be surprised with its structure, language, and feel. It was a time when theater producers were finding new methods on how to communicate with an audience. HAIR – like its contemporaries – have delved heavily on improvisations, audience participation and even unorthodoxed rites to break barriers in contemporary theater. And boy, how it thrived!

Amidst its chaos and psychedelic randomness, there’s something really beautiful in HAIR. Initially produced in an era when the US government was sending troops halfway around the world to kill and die for strangers, this revolutionary musical satirized, in its own way, the ridiculousness of it all. In their own little way, Ragni, Rado and Macdermot brought to the Broadway stage an unlikely musical that forced its audience to ask bigger questions about life, freedom, and choices.

Repertory Philippines chooses this tribal love-rock musical as its season ender for its 50th season, and it is just brilliant. Having had seen a number of recent Rep shows in the past years, one can say that this one crosses the common boarder of conventionality and bravely put on the eccentric hat that matches this generation’s atypical stance.

It is the late 60s and just recently, the earth’s moon has aligned with four other planets in the constellation Aquarius. These heavenly bodies haven’t been in the same position in the last 2,500 years. According to some, this is beginning of a new age of creativity, idealism and freedom.

Repertory Philippines' HAIR
Repertory Philippines’ HAIR

The AquariYas Tribe, a group of politically aware long-haired hippies gather in New York city to fight and sing against Nixon’s war in Vietnam. Claude, the tribe’s leader, his friend Berger, and their roommate Sheila all find reason for their existence and try to keep balance amidst the growing resistance to social standards and conformity. Over the long haul, Claude will have to face his choices to either submit to his parents’ wishes that he fight in Vietnam, or continue his work as an underground activist.

With Director Chris Millado at the helm, Repertory Philippines’ production of HAIR didn’t miss the point. Millado carefully directs his ensemble with unmistakable vision, sprinkling the endless chaos on stage with Macdermot’s underlying imageries and blatant satires.

John Batalla’s lighting design synchronizes the magic in the hippie world of the AquariYas Tribe. Batalla illuminates the Greenbelt Onstage platform with an array of limitless colors, expanding the characters’ euphoric universe with the magic of brilliance and sunshine. Like in its original 1967 production, Joey Mendoza’s set rejected the conventional theater design with its center, relatively bare, but not neglected of color and breathable space.

Ejay Yatco’s orchestration soon becomes one of the show’s additional character. Yatco’s arrangement and sound add to the brilliance of the musical’s peculiar lyricism.

The AquariYas Tribe in Repertory Philippines' HAIR
The AquariYas Tribe in Repertory Philippines’ HAIR

PJ Rebullida, who amazed audiences with choreography for works like NEWSIES, constructs a pretty skeletal series of movements that doesn’t feel choreographed. With lyrics that do not rhyme and music that jumps beyond conventionalities, he challenged himself with creating movements for the sound and feel of an authentic rock & roll musical. Like its unconfined narrative, Rebullida allows the ensemble to create their own movements, expanding the experience through an explosion of a social epoch.

George Shulze’s Berger surprises the audiences with his electric portrayal as Claude’s eccentric buddy. Caisa Borromeo, as Sheila, is a sight to see – swinging from Berger to Claude, and back again, depicting a peculiar exhibition of both love and companionship.

And we have Markki Stroem as Claude, who commands his crowd of psychedelic liberalists with a presence only a strong-willed hippie could muster. Stroem is at his strongest his more sentimental scenes, bringing justice to Madermot’s characterizations of a young man torn between his early choices. However, Stroem lags in the more upbeat sequences, somewhat missing the point of hippie groove and authenticity of this era. Understand that the epoch’s concept of ethereal consciousness springs from the idea of feeling good, rather than just looking good.

Markki Stroem as Claude, Caisa Borromeo as Sheila and George Schulze as Berger in Repertory Philippines' HAIR
Markki Stroem as Claude, Caisa Borromeo as Sheila and George Schulze as Berger in Repertory Philippines’ HAIR

Yet, the ensemble compensates this want, granting a quick access to an era of minorities who preferred to be called “freaks” rather than “hippies.” Millado presents and array of composites for “Krishna followers” and “Jesus freaks” communing to present a weird, yet colorful spectrum of individualists and naturalists. Worthy to mention are Naths Everett as Dion, Cara Barredo as Crissy, Alfritz Blanch as Hud, and Maronne Cruz as Jeanie, who manage to project this unique groove of the 60s; making them stand out in this sub-culture crowd.

Markki Stroem as Claude in Repertory Philippines' HAIR
Markki Stroem as Claude in Repertory Philippines’ HAIR

In the heart of HAIR’s expletives, orgies, and drug-crazed fanfares is a fairly relevant satire on societal standards, more so, on organized religion. We see Claude as the Christ who enters Act 1 saying, “I am the Son of God. I shall vanish and will soon be forgotten!” This somewhat makes Sheila and Berger as Mary Magdalene and John the Baptist, respectively. We see him blessing (anointing?) the members of the tribe, dressed in white and with hair that can likewise be comparable to that of the stereotypical Christ.

Here, we see how the piece examines its great disconnect from why we have religions in the first place. Doctrines had soon become the major focus of our religions, consequently diminishing the true meaning of God and Jesus’ scriptures.

Also, Claude’s decision to oblige to his parents’ wish for him to fight in Vietnam brings to the table yet another opportunity for discourse. As Claude sees this choice as a milestone to move from the freedom-loving life to the real world, he soon becomes a victim of his own fate. Like Shakespeare’s Hamlet, he, too, sees the need for change but do not have enough courage to execute. Though smart, witty and critical, like most of us – he hesitates with important decisions.

The Company of Repertory Philippines' HAIR
The Company of Repertory Philippines’ HAIR

A regular viewer may see HAIR as a peculiar junkie musical in need of a narrative makeover. But if you look closely, and if you’ll open your minds, you’ll see how beautiful its core is. This piece dares to question everything else that we find normal. It is in-your-face, and demands that we too raise and develop our own questions. It calls to us to acknowledge love, acceptance and freedom as our ultimate goals; to “let the sunshine in.”

If this is not what Art is supposed to do, I don’t know what is.

***

HAIR (The Tribal Love-Rock Musical) runs at Onstage Greenbelt 1 until December 17, 2017.
For tickets, please call (02) 843-3570, (02) 584-8458 or visit Ticketworld.com.ph

Photos by Ms. Trixie Dauz

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NEWS: Philippine Ballet Theatre kicks off its Yuletide tradition with THE NUTCRACKER

PBT’s The Nutcracker (2017)

In the Philippines, we kick off the Yuletide dance holiday season with the Philippine Ballet Theatre’s presentation of the world’s most popular classic Christmas ballet, “The Nutcracker”, at the Main Theater of the Cultural Center of the Philippines. PBT’s annual reprise of this Christmas ballet favorite is always a much-anticipated event so audiences are encouraged to reserve tickets early to ensure seats. There will only be two shows – November 18 (Sat) 8pm Gala and a November 19 (Sunday) 3pm Matinee.

This year’s Gala performance has been sponsored by the Inner Wheel Clubs of the Philippines Foundation, Inc., headed by President Victorina I. Magadia, in coopration with the Inner Wheel Clubs of the Philippines, Inc. headed by National President Gloria Golez.

PBT’s 3rd offering for this 31st season, “The Nutcracker” will surely enthrall the audience with its colorful, larger-than-life scenery, toys that come alive, swirling snowflakes and waltzing flowers. Enjoy listening too, to the heartwarming and enchanting music that is a signature Christmas repertoire.

Visit our Christmas village at the Main Lobby of the Main Theater and experience this festive merrymaking through our wide selection of food and products that are unique to our Christmas celebrations.

A portion of the proceeds of the show will benefit our Cultural Outreach Education Program (CORE), an educational outreach in the form of free ballet classes in public schools nationwide, and performances to thousands of school children and provincial communities.

Let us all share the true spirit and joy of the Yuletide Season. See you at the theater!

For ticket inquiries and orders, please contact the PBT Secretariat at 632-8848, TicketWorld at 891-9999 or the CCP Box Office. Special discounts for senior citizens, students, and groups are available. Please inquire upon reservation or purchase.

SOURCE: Philippine Ballet Theatre

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NEWS: Snow returns to BGC with A CHRISTMAS CAROL

A Christmas Carol show photo by Jaypee Maristaza 3

The nation, even the world, have been through dark days in the recent years. And as this year draws to a close, and we look back to the year that was. But one thing rings true—that whichever way the world turns, light always outshines darkness. Love will always trump evil. The yuletide season beckons a time of homecoming, gathering, and discovering life little’s wonders; bringing out, the miracle within.

Globe Live! and 9 Works Theatrical's A CHRISTMAS CAROL
Globe Live! and 9 Works Theatrical’s A CHRISTMAS CAROL

Now on its second season, Globe Live and 9 Works Theatrical aim to create an annual Christmas tradition in the musical A CHRISTMAS CAROL. Inspired by the same idea as New York’s annual fare of staging A CHRISTMAS CAROL at Madison Square Garden, it invites to gather families every season in the same spirit, creating a sense of tradition in storytelling and gathering as a community.

Charles Dickens’ story resonates as the transformation of Scrooge represents every single person’s journey, of discovering the goodness that lies within all of us. As Ebenezer Scrooge goes from a man of indifference to compassion and from hate to love, the message of the show prevails—that love transforms and changes us all for the better. After years of idling by and living in the pits of bitterness and rage, Scrooge begins to see the light after the Ghosts of Christmas Past, Present, and Future pay him a visit, stirring him back into the gentle, compassionate man he once was.

Globe Live! and 9 Works Theatrical's A CHRISTMAS CAROL
Globe Live! and 9 Works Theatrical’s A CHRISTMAS CAROL

A Christmas Carol stars theater veteran Miguel Faustmann as Ebenezer Scrooge, Noel Rayos as Jacob Marley and Mr. Fezziwig, Franco Laurel as the Ghost of Christmas Past, Nico Dans as the Ghost of Christmas Present, Rissey Reyes as the Ghost of Christmas Future, and Jaime Yupangco and Elai Estrella as Tiny Tim.

A Christmas Carol is directed by Robbie Guevara, together with Onyl Torres as assistant director, Daniel Bartolome as musical director, PJ Rebullida as choreographer; Yek Barlongay for additional tap choreography, Ed Lacson as set designer, Dong Calingacion as technical director, Myrene Santos as hair and makeup designer, and Ian Cartalaba as costume head.

Heading the production team are executive producers Santi Santamaria (9 Works Theatrical) and Joe Caliro (Globe Live), Denise Seva (Globe Live Director for Events and Production), with 9 Works Theatrical’s Anna Santamaria as company manager, Sab Jose and Jonjon Martin as PR managers, GM Hernandez as marketing manager, Arma Bonilla as stage manager, Gian Nicdao as graphic designer and JC Inocian as photographer.

Globe Live! and 9 Works Theatrical's A CHRISTMAS CAROL
Globe Live! and 9 Works Theatrical’s A CHRISTMAS CAROL

Globe Live and 9 Works Theatrical’s A CHRISTMAS CAROL will be shown at the Globe Iconic Bonifacio High Street Amphitheater, Bonifacio Global City on December 7-9, 14-16, 21-22 & 26-27 at 8:00pm, December 10 & 17 (Sundays) and December 25 Christmas Show at 7:00pm.

For ticket inquiries, please contact Ticketworld at 891.9999.

#GlobeLive9WTACC #TheMiracleWithin #TheJellicleBlog

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NEWS: Full cast of MATILDA (The Musical) Announced

Matilda back-Trunch

Atlantis Theatrical Entertainment Group is excited to announce the full cast for the internationally acclaimed musical, Matilda. Composed of some of the finest musical theatre talents of the country, the cast is deep into rehearsals gearing up for a November 10th Opening Night.

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Telesa Marie “Esang” De Torres, Uma Naomi Martin, and Felicity Kyle Napuli play the title role of Matilda in ATEG’s production of MATILDA (The Musical)

Playing the title role are three of theater’s miracles: Telesa Marie “Esang” De Torres, whose most notable works include ABS-CBN’s The Voice, and the Les Miserables Asian tour, Uma Naomi Martin, who has made her theater debut in A Little Princess, and Felicity Kyle Napuli, who has been recognized as Outstanding Child Performer at the Gawad Musika Awards. They are accompanied by a team of incredible performers who will appear as Matilda’s wacky and charming classmates, namely Gabrielle Aerin Ong and Maria Ericka Peralejo as Lavander; Denise Fidel Arteta and Chi Chi Tan as Amanda; Nicole Chien and Ella Gonzalez as Alice; Alba Berenguer-Testa and Chantel Marie Guinid as Hortensia; Josh Nubla and Miguel Suarez as Bruce; Rhythm Alexander and Ian Albert Magallona as Eric; Gabo Tiongson and Pablo Miguel Palacpac as Nigel; and John Joseph Miraflores and Teddy Velasco as Tommy.

But it would not be a Matilda story if not for the adults who give these kids many a reason to be naughty. Due to give some show-stopping performances are Jamie Wilson as Miss Trunchbull; Cris Villonco as Miss Honey; Joaquin Valdes as Mr. Wormwood; Carla Guevara-Laforteza as Mrs. Wormwood; Emeline Celis-Guinid as Mrs. Phelps; Nel Gomez as Michael Wormwood; Bibo Reyes as Rudolpho; and to complete an electrifying ensemble are Steven Conde, Tim Pavino, Rhenwyn Gabalonzo, Teetin Villanueva, Gerhard Krystoffer, Alex Reyes, Jim Andrew Ferrer, Gabby Padilla and  Mica Fajardo.

Jamie as the terrifying Miss Trunchbull has 37 years of experience as an actor to back him up. He has made the theater his home since the age of seven, appearing in numerous critically acclaimed productions such as Pippin, Almost Maine, Jersey Boys: The Story Of Frankie Valli; The Four Seasons, and Run For Your Wife. A fellow veteran to accompany him is Cris, who rose to stardom as a solo artist best known for her hit single “Crush ng Bayan”, and has since then has made a name for herself in the world of theater and film. She recently appeared as Alison in Atlantis’s Fun Home.

Wormwoods
Carla Guevara-Laforteza as Mrs. Wormwood and Joaquin Valdes as Mr. Wormwood in ATEG’s MATILDA (The Musical)

Joaquin is not a stranger to the Philippine theater scene, he started as a performer at a very young age and took a break from it working in advertising for 8 years. Now, he returns to the stage as Mr. Wormwood. Playing his wife, Mrs. Wormwood is Carla, who is a Miss Saigon alumni who has performed with Atlantis in many productions including NINE, THE ADDAMS FAMILY, SATURDAY NIGHT FEVER and AVENUE Q. Not to be outdone is Emeline Celis-Guinid who will be Mrs. Phelps, Emeline has started performing at 7 years old and has been seen in Atlantis musicals such as ROCK OF AGES, THE BRIDGES OF MADISON COUNTY, JERSEY BOYS and SATURDAY NIGHT FEVER.

Nel, who will be playing Michael Wormwood, has been acting for 10 years, was most recently seen in KINKY BOOTS.  Bibo as Rudolpho, started his acting venture with The Ateneo Blue Repertory, was last seen on the Atlantis musical stage as Bob Crowe in JERSEY BOYS. The energetic ensemble consists of many of the country’s most dynamic performers.

Together, they help tell the story of Matilda and her friends– a group of children who are determined to fight against the injustices of childhood, and are inspired to start a revolution that will change their destinies forever.

MATILDA is directed by Bobby Garcia, Choreography by Cecile Martinez, Lighting Design by Driscoll Otto, Musical Direction by Farley Asuncion, Set Design by Faust Peneyra, Costume Design by Raven Ong,  Sound Design by Kevin Heard, Vocal Coaching by ManMan Angsico, Assistant Direction by Steven Conde, Assistant Choreography by Jim Ferrer, and Assistant Vocal Coaching by Rhenwyn Gabalonzo.

Presented by Promil together with Metrobank Card Corporation, Matilda The Musical will make its Philippine debut at the Meralco Theater, Ortigas Center, Pasig City from the 10th of November to the 10th of December this year. Shows will be scheduled on Fridays at 8:00 p.m., Saturdays at 2:00 and 8:00 p.m., and Sundays at 2:00 p.m and 8:00pm. The show is recommended for children aged 7 and above (children under the age of 4 will not be permitted inside the theater). Tickets are now available at Ticketworld (call 891-9999 or visit www.ticketworld.com.ph).

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Ampalaya Monologues celebrates its 2nd year with TWO IS BITTER THAN ONE

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To celebrate two years of artistic bitterness, the team from Ampalaya Monologues have decided to double up the bitterness with a one-night only anniversary show “Ampalaya Dialogues #TwoIsBitterThanOne” on October 14 – Saturday from 7 pm – 10 pm at the PETA Theater Center located at Eymard Road, E. Rodriguez Q.C.

Ampalaya Dialogues #TwoIsBitterThanOne will showcase six short one-act plays that will feature two characters in each story. All of which are written by Mark Ghosn and will be performed by actors of Theatre in Alternative Platforms (TAP).To celebrate two years of artistic bitterness, the team from Ampalaya Monologues have decided to double up the bitterness with a one-night only anniversary show “Ampalaya Dialogues #TwoIsBitterThanOne” on October 14 – Saturday from 7 pm – 10 pm at the PETA Theater Center located at Eymard Road, E. Rodriguez Q.C.

Ampalaya Dialogues #TwoIsBitterThanOne will showcase six short one-act plays that will feature two characters in each story. All of which are written by Mark Ghosn and will be performed by actors of Theatre in Alternative Platforms (TAP).

Known for being the country’s most popular venue for ‘hugot’ artistry, Team Ampalaya promises that this year’s feels-fest will still have those witty and relatable punchlines that are combined with unique, heart wrenching, yet entertaining stories. A formula that we’ve all been a fan of and has served as their trademark throughout the years.

The 6 One-Act Plays

TAYO, SA PAGITAN NG MGA SALITA
Starring: Thalia Nicole and Kenneth Monserrate
Drei and Alex are bandmates who are working on a spoken word and music collaboration for their upcoming gig. But what started as a collaboration session is slowly turning into confessions of hidden feelings that they can only express through poems and songs. Will they finally put a label on their relationship or will words get in the way?

MGA NAIWANG TANONG SA HULI NATING TAG-ARAW
Starring: Mark Ghosn and Alvin Nakassi
College classmates Arman and Drew accidentally meet again 7 years after they last saw each other. They decide to reminisce about their friendship over wine and pasta. As they do so, untold stories from the past emerge, forcing them to face the feelings that they’ve been trying to forget since their last summer together. As the night goes by, will one unasked question finally get its long awaited answer?

HULING KUHA
Starring: Berna Manipon and FJ Gonzales
On the day of their pre-nup shoot, law students Arthur and Dawn find their relationship in the middle of a trial. As evidences emerge and allegations are thrown at each other, will they be able to save their wedding or do they have to decide on a much harsher verdict? When is love more important than the truth?

KUNG PAANO TAYO TINALO NG PAG-IBIG
Starring: Yan-yan Gervero and Hogi Cadlum
Angie contemplates on whether or not to continue her marriage with Darwin/Dara, her cross-dressing husband who is about to give birth to her new identity. As Dara convinces Angie to take the risk, they are both faced with questions about what love really is and how they have the chance to change its meaning. Are you willing to lose yourself to let love win?

BEAUTY AND THE BES
Starring: Janine Lloce and Emman Jimenez
This kilig-comedy features the well-loved ampalaya character, Bes. Fresh from a not-so-successful tinder date, Bes decides to go at it again, this time, on a blind date. But on her way to, she got trapped in an elevator with a perfectly looking, super handsome, drool-worthy gentleman. Is this the chance encounter she’s been waiting for? But wait, why does he look so familiar?

BABIES AND THE BRIDGES THAT BURN
Starring: Gracia Paterno and Ysai Cajilig
How do you burn a bridge? In the case of frenemies Ara and Ally, it takes a lot of manipulation, brainwashing, backstabbing, blackmailing and name calling to do so. But what’s a baby got to do with it? Let’s just say it holds the match to light up the fire. Get ready for a sassy war. Watching bridges burn hasn’t been this enjoyable.

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NEWS: Expressions Stationary Shops continues with “Express Yourself pARTies”

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It’s time to get crafty! Expressions Stationery Shop, your haven for all things arts & crafts, gears up for its 30th anniversary in 2018 with a series of pARTies to unleash your creative streak. Aptly coined the “Express Yourself Party”, this fun-filled fete is part of Expressions’ Express Yourself month, held yearly in September.

Express Yourself Party
Express Yourself Party

The Express Yourself Party encourages you to embrace your uniqueness and celebrate your individuality via painting, doodling and arts & crafts. With an Express Yourself Party held weekly from September 2 to October 8 in 26 stores, there are tons of avenues to share your talents and reveal your originality.

Express Yourself Party

At the party, jazz up your plain purchases of umbrellas, shirts, eco bags, and tumblers or create a new piece of art altogether with the materials available at stations set up at the venue. You can also head over to the giant doodle wall and leave your magnificent mark, or participate in a workshop held at select stores. Besides masterpiece-making, you’ve got plenty more activities to do like shop for products by Sterling Arts, Marvy Uchida, Dong-A, Faber Castell, Sakura Pens, Deli, Croco Tape, Westcott, Maped, Colleen, and Icre8. Cross your fingers that you win one of the raffle prizes up for grabs and don’t forget to come early as freebies will be given away to the first 200 participants at every store.

Get inspired by fellow Art Enthusiasts Meeya Cruz, Craftee Dandee, and Dollicandy as they join you on your self-expression art adventure at Dollicandy: Sept 30, 10am to 5pm at Waltermart North Edsa Activity Center.

Itching to get your hands on an invite? No worries! Simply visit one of the Expressions Stationery Shops in its 85 stores nationwide, buy the special merchandise or get an Xmile VIP card, register, and get your event ticket for free.

Expressions Stationary Shop

Don’t forget to join the conversation and hashtag #EmbraceYourIndividuality #ExpressYourselfParty #Expressions and #ArtsandCrafts.

Visit the Expressions Stationery Shop website at expressions.com.ph. Get social and reach out via www.facebook.com/expressionsfanpage and www.instagram.com/expressions_ph.

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NEWS: THE SOUND OF MUSIC with the Filipino von Trapp Children premieres in Manila on September 27!

The Sound of Music MNL

The international tour of London’s West End production of THE SOUND OF MUSIC is coming to Manila! And as if this six time Tony award-winning including Best Musical and five time Oscar-winning including Best Picture (for the film) legendary classic isn’t already enough, they have casted 18 talented Filipinos for the roles of the von Trapp children for the Manila run! Premiering at the Theater at Solaire on September 27, tickets are now on sale at ticketworld.com.ph.

Carmen Pretorius as Maria in the International Tour of THE SOUND OF MUSIC
Carmen Pretorius as Maria in the International Tour of THE SOUND OF MUSIC

The book written by Howard Lindsay and Russel Crouse based on the true story of Maria Augusta von Trapp (The Trapp Family Singers) was set in Austria just before the World War II. THE SOUND OF MUSIC tells the tale of Maria who took on a job as a governess to a large family while she decides whether to become a nun. She falls in love with the seven children and later on with their widowed father, Captain von Trapp, while her fun-loving nature changes their lives by reintroducing them to music. Touching on the timeless elements of unexpected love, family bonds, beauty of nature, and the power of music, the musical is as relevant today as it was when it first premiered in 1959.

The Von Trapp Children in the International Tour of THE SOUND OF MUSIC
The Von Trapp Children in the International Tour of THE SOUND OF MUSIC

With over 400 children from all over the Philippines auditioning for six of the seven von Trapp kids, Jonny Bowles, the children’s director flew from London to oversee the three-day grueling rounds of singing, acting, and dancing tests. From the strict age range (6 to 13) and height to match the original von Trapp kids, three children were chosen to alternate each character throughout the Manila season. Playing Friedrich are Orenci Soleta, Kyle Rafanan, and Joseph Leggatt; Louisa by Gwyneth Dorado, Quinn O’hara, and Angelica Mabuting; Kurt by Tory Cortez, Dean Angelia, and James Hess; Brigitta by Krystal Brimner, Rayne Cortez, and Sophie Reyes; Marta by Samantha Lagman, Leani Columna, and Princess Rabara; and lastly Gretl by Jia Condino, Alysha Africa, and Faline Dorado.

At the end of the selection process, Jonny Bowles reveal that “It is the opportunity of a lifetime for these talented youngsters to star in a West End production of this caliber and Filipino audiences will be astounded at the quality of their performances.”

Carmen Pretorius as Maria in the International Tour of THE SOUND OF MUSIC
Carmen Pretorius as Maria in the International Tour of THE SOUND OF MUSIC

Just before the media launch on July 18 at the Diamond Hotel in Roxas Boulevard, Carmen Pretorius who plays Maria flew in to surprise the children by joining them in rehearsals as they sang “The Sound of Music.” Despite being in her twenties, Carmen has become one of the household names of African theater for her roles as Gabriella Montez in High School Musical Live Onstage, Ariel Moore in Footloose, Sophie Sheridan in MAMMA MIA!, Lorraine in Jersey Boys, and Liezl von Trapp before taking on the role of Maria in THE SOUND OF MUSIC.

Carmen Pretorius as Maria in the International Tour of THE SOUND OF MUSIC
Carmen Pretorius as Maria in the International Tour of THE SOUND OF MUSIC

While the children were star struck, it was Carmen’s reaction to the immense talent and immediate affection of the young Filipino cast that makes this production of THE SOUND OF MUSIC all the more exciting.

The music composed by Richard Rodgers and the lyrics written by Oscar Hammerstein have now become the most memorable songs ever heard on stage and screen such as “My Favorite Things,” “Do-Re-Mi,” “Ev’ry Mountain,” “Edelweiss,” “The Lonely Goatherd,” “Sixteen Going on Seventeen,” and “The Sound of Music.” These are tunes that have become classics after spanning generations. A feat that only true iconic seem to muster. THE SOUND OF MUSIC is considered to be the world’s most popular musical with the current production being followed by sell-out seasons in Singapore, New Zealand, and China.

THE SOUND OF MUSIC is produced by Andrew Lloyd Webber’s Really Useful Company and David Ian Productions and is presented in Manila by Globe LIVE, Lunchbox Theatrical Productions, Concertus Manila, and David Atkins Enterprises.

SOURCE: Concertus Manila

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NEWS: Ballet Manila to debut two original ballets on 22nd Performance Season

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“Ballet Manila is entering a new age.”

These were the words that Lisa Macuja-Elizalde, CEO and Artistic Director of Ballet Manila, told her team of ballerinas and danseurs when plans for the 22nd performance season of the country’s leading classical dance company were made earlier last year. Named Flights of Fantasy, the new season will debut two all-original productions, which Macuja-Elizalde is proudly working on with a team of internationally-award winning dancers, musicians, and costume and set designers.

“Ballet Manila has always been known as a company that strictly adheres to the Vaganova technique and Russian style of dancing. That’s something that we’ve always stressed out by staging classical ballets that highlight our technique’s strength. However, we understand that times are changing. And while we shall continue to stick to our technique—which is widely-accepted as the best in the world—we understand that we need to up our game if we want to appeal to more people,” she explains.

This season, she works with two classic tales—one Filipino and one foreign—to create world-class productions that will further establish Ballet Manila’s position as the premiere classical dance company in the country.

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Ballet Manila’s FLIGHTS OF FANTASY presents IBONG ADARNA

IBONG ADARNA, one of the two original productions mentioned by Lisa, will open the 22nd performance season this August. Choreographed by the one of the company’s principal dancers and multi-awarded choreographer, Gerardo Francisco, the show will bring to life the magical kingdom of Berbanya with modern production techniques, flying sequences, and impressive routines that can rival even those of the most well-known classical pieces. It will feature Gia Macuja Atchison, a West End star, as the voice of Ibong Adarna, and will also showcase music by Diwa de Leon, set and costume design by Make It Happen Workshop, and script by Angela Blardony Ureta.

Following IBONG ADARNA in October is one of the world’s most enduring classical romantic ballets— SWAN LAKE. Featuring music from master composer Peter Tchaikovsky, the production is a showcase of the company’s commitment to have at least one classical ballet in its repertoire every season—so as to uphold its Vaganova Academy roots.

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Ballet Manila’s FLIGHTS OF FANTASY presents SWAN LAKE

For its version of SWAN LAKE, Ballet Manila’s production features the original Lev Ivanov choreography for the white acts and a brand-new set design by Miguel Faustmann. It will also make use of new costumes created by fashion designer Michael Miguel and live accompaniment from the ABS-CBN Philharmonic Orchestra under the baton of Maestro Alexander Vikulov of Russia’s Marinsky Theater.

“SWAN LAKE is, for me, the ultimate test for a classical ballerina. To dance the dual roles of Odette and Odile is one of the most difficult roles to do because you need to be vulnerable and lyrical as the white swan and sharp and steely as the black swan.”

Come November, the company will stage its second original production this season, and Lisa Macuja-Elizalde’s second full-length choreography work— SNOW WHITE. Aimed at making the holiday season more magical for everyone, Ballet Manila promises to bring everyone a heartwarming take to the classic tale.

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Ballet Manila’s FLIGHTS OF FANTASY presents SNOW WHITE

“We are making SNOW WHITE a more magical and musical experience for everybody—from toddlers to the lolos and lolas,” says Macuja-Elizalde. “I won’t reveal much, but we are working so hard to make sure that our version leaves a mark that will make the holidays more memorable and spectacular.”

And to close Flights of Fantasy, Ballet Manila will stage another installment of its widely-popular Ballets & Ballads. Happening in February 2018, this edition will feature live music by the ABS-CBN Philharmonic Orchestra.

“Ballet is a form of dance that is usually accompanied by music without words. By dancing to popular ballads performed live, we are showing another side to our storytelling—one that is more appealing and relatable to the modern audience. And again, this is in line with Ballet Manila’s vision of bringing ballet closer to the people, and the people closer to ballet.”

In addition to the ABS-CBN Philharmonic Orchestra, Ballet & Ballads will also premiere British choreographer Martin Lawrance’s Aria. Lawrance has collaborated with Ballet Manila many times in the recent past, most notably in the the highly-acclaimed original, Rebel.

Show Schedules

IBONG ADARNA makes its world premiere on August 26 at 6 PM. Other show dates are: September 2 at 6:00 PM and on August 27 and September 3 at 3:00 PM.

SWAN LAKE goes on stage on the following dates: October 7 and October 14 at 6:00 PM and October 8 and October 15 at 3:00 PM.

The SNOW WHITE world premiere is set for November 25 at 6:00 PM. Other show dates are  December 2 at 6:00 PM, and November 26 and December 3 at 3:00 PM.

You can catch Ballet & Ballads on the following dates: February 10 and 17, 2018 at 6:00 PM, and February 11 and 18, 2018 at 3:00 PM.

For more information about the shows, including ticket prices and schedules, you may visit www.balletmanila.com.ph or follow Ballet Manila on Facebook, Twitter, and Instagram.

Tickets are also available through all TicketWorld outlets.

 

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NEWS: WEST SIDE STORY opens in Manila next month!

WEST SIDE STORY

Manila, PHILIPPINES — Broadway’s greatest dance musical WEST SIDE STORY premieres at The Theatre at Solaire next month and the excitement couldn’t be more palpable. Daring, realistic and still as relevant as the day it premiered, WEST SIDE STORY comes to Manila as part of a worldwide tour, following sold-out seasons around the world, including London, Paris, Sydney and Berlin.

Boasting of a young all-American cast, many of whom come direct from Broadway, WEST SIDE STORY will be playing for a strictly limited 3-week season beginning 10 August 2017 and tickets are now on sale at ticketworld.com.ph. The Manila season of WEST SIDE STORY is presented by Globe LIVE.

WEST SIDE STORY European Tour, 2016. Photo by Johan Persson
WEST SIDE STORY European Tour, 2016. Photo by Johan Persson

WEST SIDE STORY is inspired by Shakespeare’s tumultuous love story Romeo and Juliet, and is set amidst the vicious rivalry of teenage gangs in 1950s New York. In a sweltering New York summer, the boys from the Upper West Side neighborhood are on the prowl. Ready to explode at any moment they dance with their girls, the air vibrating with the rhythms of mambo, rock ‘n’ roll and jazz. They belong to two enemy street gangs ruling the immigrant quarter – the Jets and the Sharks – and a clash is imminent. The Jets, sons of previous immigrants to America, are fighting the new arrivals from Puerto Rico, the Sharks, for domination of the streets in the area. Among them, Tony, a Jet, and Maria, sister to the leader of the Sharks, fall in love.

The action takes place over no more than a few hours of two consecutive days and portrays a love story, action thriller and social study all at the same time. WEST SIDE STORY tells the tale of a love between two young people whose happiness is destroyed by the hate of two enemy camps in New York City’s urban jungle.

WEST SIDE STORY European Tour, 2016. Photo by Johan Persson
WEST SIDE STORY European Tour, 2016. Photo by Johan Persson

WEST SIDE STORY packs a powerful punch, both dramatically and musically. At its 1957 Broadway premiere the musical redefined an entire genre in terms of both choreography and score. The genius of its four creators – Leonard Bernstein, Jerome Robbins, Arthur Laurents and Stephen Sondheim – produced a piece whose great artistic quality remains unquestioned to this day.

WEST SIDE STORY European Tour, 2016. Photo by Johan Persson
WEST SIDE STORY European Tour, 2016. Photo by Johan Persson

Youthful desires, fears and swagger described so tersely and precisely in Arthur Laurent’s script, have been masterfully translated by legendary choreographer Jerome Robbins into some of the most exhilarating dance routines in the world of musical theatre, full of provocative finger snapping from street gangs and Puerto Rican girls’ whirling skirts on New York City’s flat rooftops.

The now-famous score by Leonard Bernstein braved uncharted waters at the time it was written, and combines influences from American jazz with classical and Latin American music to create a sublime work of art.

Stephen Sondheim, then only an unknown young musician and lyricist who would later rise to great musical heights with works such as Gypsy, Sweeny Todd and Into The Woods, managed to condense the painful process of coming-of-age, passionate love and fateful conflict into concise and punchy song lyrics, creating a legacy of classic songs such as Maria, Tonight, Somewhere, America and I Feel Pretty.

WEST SIDE STORY European Tour, 2016. Photo by Johan Persson
WEST SIDE STORY European Tour, 2016. Photo by Johan Persson

Jerome Robbins’ original choreography has been recreated by director and choreographer Joey McKneely, a former pupil of Jerome Robbins. Musical supervisor is the renowned conductor Donald Chan, who studied under Bernstein himself, and who leads a live orchestra of 20 musicians.

WEST SIDE STORY has been produced three times on Broadway, twice in London’s West End, and enjoyed numerous US, UK and international tours over the last 60 years. The movie version, released in 1961, went on to win an incredible 10 Oscars (including Best Picture) and further cemented the reputation of this undoubted masterpiece.

WEST SIDE STORY European Tour, 2016. Photo by Johan Persson
WEST SIDE STORY European Tour, 2016. Photo by Johan Persson

Presented by Globe LIVE. Major sponsor is Novuhair. Special thanks to Solaire Resort and Casino, OOCL, Victory Liner, Lyric Piano and Diamond Hotel. Media partners are 2nd Ave, JackTV, Philippine Daily Inquirer, The Philippine Star, Preview, MEGA Magazine, Magic 89.9, 99.5 Play FM and Klite 103.5 FM. Official Makeup Sponsor is M·A·C Cosmetics.

WEST SIDE STORY is a Michael Brenner production, produced by BB Promotion GmbH in association with Sundance Productions, Inc. NY, Lunchbox Theatrical Productions and David Atkins Enterprises.

SOURCE: Concertus Manila

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Ballet Philippines collaborates with Independent Artist Eisa Jocson in YOUR HIGHNESS

Your Highness – photo by Hiyas Baldemor Bagabaldo

Eisa Jocson’s newest creation, YOUR HIGHNESS will have its world premiere on July 27 (8pm) and 28 (3pm, 8pm) at the CCP Little Theater, and will be performed at several major European performing arts festivals from August to September 2017. The work is a production by Ballet Philippines and Künstlerhaus Mousonturm Frankfurt am Main (Germany), in co-production with Internationales Sommerfestival Kampnagel (Germany), Zürcher Theater Spektakel (Switzerland), La Bâtie – Festival de Genève (Switzerland).

Eisa Jocson
Eisa Jocson

Eisa Jocson is an internationally renowned artist creating and touring works in Asia, Europe, America and Australia. Educated as a visual artist and trained as a ballet dancer, she won her first pole-dancing competition in Manila in 2010 and began her international dance career with public interventions like “pole-tagging” here and abroad. Her 3 solos, DEATH OF THE POLE DANCER (2011), MACHO DANCER (2013) and HOST (2015) toured extensively in major festivals abroad. Under the HAPPYLAND (2017) series, her new creations, PRINCESS a duet with Filipino performance artist Russ Ligtas and YOUR HIGHNESS are a continuation of her investigation into Filipino labour, performance of happiness and production of fantasy within the happiness empire. YOUR HIGHNESS is her first ensemble creation, and is the first of all her works to be premiered and produced in the Philippines.

In YOUR HIGHNESS, the classically trained dancers masterfully alternate between stylized Disney gestures and standards of ballet classics like GISELLE, THE SLEEPING BEAUTY and SWAN LAKE – and explore the fine line between portrayals of happiness through ballet history and princess archetypes in a globalized entertainment industry.

Your Highness - Poster-1The massive employment of Filipino performers by Hong Kong Disneyland has led to a dire brain drain, with its impact strongly felt in Ballet Philippines, which has lost half of its top dancers within the last decade. Against this backdrop, choreographer Eisa Jocson has now created a dance piece with five young dancers of the Ballet Philippines.

“As an independent Filipina choreographer it is a unique and inspiring adventure to collaborate with Ballet Philippines in creating this new ensemble work,” shares Jocson. “It is exciting to see the dancers push their capacities into unknown terrain with incredible virtuosity. And I am looking forward to share this performance born out of an intense and meticulous process of exploring the dancer’s and ballet’s manifold bodies and voices.”

YOUR HIGHNESS international artistic team is led by Eisa Jocson (choreographer), Gia Gequinto, Stephanie Cabral, Maila Habagat, Alexis Piel, and Carlo Padoga (Ballet Philippines dancers), Arco Renz & Anna Wagner (dramaturgs), Teresa Barrozo (music & sound design), Florian Bach (lighting design), and Dennis Maristany (costume design).

SOURCE: Ballet Philippines

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NEWS: PETA opens a special run of CAREDIVAS

PETA’s Caredivas

Quezon City, PHILIPPINES — As part of the 35th anniversary celebration of the Overseas Workers Welfare Administration (OWWA), Philippine Educational Theater Association (PETA) is bringing the special run of the wondrously hilarious, deeply heart-warming, and genuinely eye-opening story of ‘CAREDIVAS – An Original Pinoy Musical’ on June 24 to July 30 at The PETA Theater Center.

A tribute to our Overseas Filipino Workers (OFW), CAREDIVAS is a candid stage drama that reveals the reality of the lives of our modern-day heroes. It tells the tale of five OFWs (namely Shai, Kayla, Chelsea, Thalia, and Jonee) in Israel who work to give care during the day and transform into glamorous drag queen performers at night. While desperate to make ends meet, they also aspire acceptance in a foreign land.

PETA's Caredivas
(from left to right) Dudz Teraña as Thalia, Melvin Lee as Chelsea, Ricci Chan as Kayla, Buddy Caramat as Jonee and Vince de Jesus as Shai in PETA’s CAREDIVAS

The major roles will be played by acclaimed theater performers. Melvin Lee will reprise his role as the sweet Chelsea who seems to have it all – a kind employer and potential lover; Vincent De Jesus and Ron Alfonso as the often-sarcastic leader Shai who is haunted by the image of her mother who expects so much from her; Dudz Teraña and Jason Barcial as the ditzy Thalia who along with Jonee joined “D’ Nigtingales” (their unit stage name) to express their creativity; Gio Gahol, Jerald Napoles and Ricci Chan as Kayla who is always transferring employees and has become an illegal migrant worker, and Thou Reyes and Phil Noble as Jonee.

When asked about his message to non-theatergoers, original cast Vince De Jesus says, “CAREDIVAS is not really a gay play. It is a play about Filipinos who happen to be gay. There is nothing sexual about it. They work hard for their families so it’s everyone’s story. They could be lesbians, they could be straight, but like I said nga, it’s not about the gender. It’s about the sadness in their lives and they’re trying everything to better the situation, ignore the pain and sadness. Which is very universal. Very Filipino.”

Paul Holme and Vincent de Jesus in PETA's CAREDIVAS
Paul Holme and Vincent de Jesus in PETA’s CAREDIVAS

Caregivers, also known as personal aides are individuals who give assistance to their clients who are often sick, in rehabilitation, mentally or physically disabled, or the elderly. Their job descriptions include bathing and bathroom functions, workout and light exercises, plan and prepare meals, feeding, grooming, giving medication and regular household chores. They are also considered personal assistants and companions who engage their client in various activities.

The term OFW is not new to Filipinos. Majority of the households in the country have a relative working abroad to provide for the needs of those who are left behind. There isn’t a shortage in the exposure of the life of OFWs because it’s been a topic of radio, television, and print media for many years. However, CAREDIVAS hopes to shed a different light to people especially their families who are unaware of the struggles of these caregivers in a live stage production with a highly-witty script and story written by Liza Magtoto with tastefully Pinoy music and lyrics by Vincent de Jesus.

Phil Noble and Jerald Napoles returns to the CAREDIVAS stage to reprise their roles of Jonee and Kayla
Phil Noble and Jerald Napoles returns to the CAREDIVAS stage to reprise their roles of Jonee and Kayla

Rounding up the cast are Myke Salomon (Faraj, David, Daniel), Paul Holme and Leo Rialp (Isaac, Moshe, Yaakov, club owner), Joan Bugcat and Gold Villar (Nonah), Eric Dela Cruz and Dom Miciat-Janssen (Avi, Aryeh, police officer), Sherry Lara (Sarah, Adara), Eko Baquial and Joseph Madriaga (ensemble).

Melvin Lee in his award winning role as Chelsea in PETA's CAREDIVAS
Melvin Lee in his award winning role as Chelsea in PETA’s CAREDIVAS

CAREDIVAS is directed by Maribel Legarda. Completing the artistic team are Leo Abaya (set designer), JonJon Villareal (lighting director), John Abul (costume designer), Carlo Pagunaling (assistant costume designer), Carlon Matobato (choreographer) and Gimbey dela Cruz (vocal coach).

CAREDIVAS was first produced in 2011. The musical dominated the 2011 Philstage Gawad Buhay! Awards, bagging seven trophies including Outstanding Musical Production and Outstanding Ensemble Performance for a Musical.

CAREDIVAS was continued to be produced in April 2012 in partnership with Repertory Philippines and last February 2017 to open PETA’s 50th Anniversary.

Bring your family and friends to watch this tale that shares a message that is still as relevant today as it was when it first premiered. CAREDIVAS opens July 1, and will run until July 30 at the PETA Theater Center.

For inquiries and ticket reservations, contact PETA Marketing and Public Relations Office at 725-6244, petatheater@gmail.com or www.ticketworld.com.ph at 891-9999.

#TheJellicleBlog #CAREDIVAS #TakePETABeyond50

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REVIEW: Repertory Philippines returns home for the Family

Repertory at 50 Years
4.1Hot

In celebration of its golden year, Repertory Philippines (REP) presents a one-night only grand musical gala, REP: 50 Years of Telling Stories. Consisting of its current talents and acclaimed alumni, REP narrated its story from ‘its beginnings, to its continuing efforts of nurturing the next generation of performing greats’ on June 11 at The Theater at Solaire.

The production that features seven segments with different directors took almost a hundred people to mount. Opening with a tribute to Zeneida Amador and honoring all the founders of REP, the show transitions to telling the story of the ‘dreamers, tellers, artisans, hands, interpreters, and the story being realized.’

Miguel Faustman as Tevye
Miguel Faustman as Tevye in “Tradition” from  FIDDLER ON THE ROOF

With numbers from past REP productions such as A Chorus Line, West Side Story, Carousel, Camp Rock, Pippin, Annie, Sound of Music, Jekyll and Hyde, Seussical and Les Miserables, one would think that the show would become a showdown of the ‘best of the best’ Filipino theater talents. But it is rather intimate, rustic, and authentic that it feels as if the audience was witnessing a reunion of a one traditional Filipino family.

Menchu Lauchengco-Yulo in "Magic To Do" from PIPPIN
Menchu Lauchengco-Yulo in “Magic To Do” from PIPPIN

The narrations and its productions feel like hearing stories from our beloved grandparents about the ‘good ol’ times’ and their ‘struggles from the early days.’ Its music is arranged to allow different members of the family to sing along regardless of when they had just arrived for the reunion; sometimes in solo; often in chorus.

But the acting was what made REP’s 50th anniversary celebration different and special. Distinctly, because the cast seemed to be saying their lines out of memory, not by the script. It’s occasionally funny with no intention to be, it was poignantly nostalgic, and it pulls the audience in the way a relative’s story of greatness would.

Mitch Valdes, Franco Laurel, Jack Salud, JM Rodriguez, and Red Nuestro in COMEDY TONIGHT
Mitch Valdes, Franco Laurel, Jack Salud, JM Rodriguez, and Red Nuestro in “Comedy Tonight” from A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

From well-established names of theater actors to seeing the writers, directors, designers, production managers, and stage managers perform on stage, it was inevitable for the cast to be more engaged in narratives, as they lived it than to produce a show that was clean-cut to sell more tickets. It was the real REP members on stage, not the actors.

And that makes all the difference.

The gala came to a close with the ‘young and upcoming REP members taking over center stage as the veterans hand the baton to the new guards of Philippine theater.’

It was a fitting celebration of REP’s five decades of developing Filipino talents and staging excellent productions from Broadway and the West End. Bart Guingona serves as over-all director and collaborates with segment directors Jaime del Mundo, Miguel Faustmann, Audie Gemora, Menchu Lauchengco-Yulo, Raymond Lauchengco, Freddie Santos, and Michael Williams as well as musical director Ejay Yatco and writer Luna Inocian.

The Company in “One Day More” from LES MISERABLES

Theater luminaries and stars including REP co-founder Baby Barredo, REP Artistic Director Joy Virata, Monique Wilson, Franco Laurel, Sheila Francisco, Markki Stroem, Morisette Amon, Pinky Amador, Mitch Valdes, Ayam Barredo-Eckstein, Cara Barredo, Leo Martinez, Cocoy Laurel, EJ Villacorta and many more gather to #ComeHomeToREP.

It was a night of sights, music and remembering. Seeing these familiar faces from our local stage in one night was more than just refreshing — it was empowering. More than just an outpour of talents, this night showed us that there are bigger things that await us for Philippine Theater.

As they continue on with their journey to the next 50 years, Repertory Philippines continues to bring the same magic for the Philippine stage, honing new talents and offering greater shows for the Filipino audiences, as they too come home to Rep.

You can view their 2017 Season at repertoryphilippines.ph.

4 Stars out of 5!

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NEWS: Globe Live! and 9 Works Theatrical siezes the day with Disney’s NEWSIES

Newsies

The companies that brought AMERICAN IDIOT and A CHRISTMAS CAROL: THE MUSICAL to the Filipino stage is back with one of theater’s most challenging musicals to date. Globe Live and 9 Works Theatrical present Disney’s NEWSIES, showing on all the weekends of July at the Globe Iconic Store Bonifacio High Street Amphitheater!

The story follows the charismatic newspaper boy Jack Kelly, a leader-figure among a band of “Newsies,” who “dreams of a better life far from the hardships of the streets.” The plot deepens when Jack steps forward and moves the newspaper boys to rally against publishing strongmen Joseph Pulitzer, William Randolph Hearst, and other similar authorities who raise newspaper fees at the expense of the “Newsies”. From newspaper boys to advocates, NEWSIES dramatizes a “David and Goliath” fight for justice against corporate corruption.

Newsies 2
The cast of Globe Live! and 9 Work Theatrical’s NEWSIES

Featuring lyrics by Jack Feldman, music by Tony and Oscar winner Alan Menken, and a book by Tony star author Harvey Fierstein, NEWSIES showcases an array of highly-passionate music relaying age-old issues that remains alarmingly relevant to today’s world.

NEWSIES was first produced as a motion picture musical in 1992 which was inspired by the true events of the “Newspaper Strike of 1899,” which in turn inspired the live stage adaptation that premiered at the Paper Mill Playhouse in 2011 before being brought to Broadway the following year that ran for a total of 1,005 performances.

Executive Producers Joe Caliro of Globe Live, Santi Santamaria of 9 Works Theatrical, Director Robbie Guevara along with choreographer PJ Rebullida has their work cut out for them with the high-demands of this award-winning musical. But they not only rise to the challenge but promise to deliver it with a display of the incredible talent from across the country. After the grueling auditions, they established Training Ground – a five-month long training in voice, acting gymnastics, and dance lessons in ballet, hiphop, tap, jazz, and more. Filmed with the behind-the-scenes of NEWSIES, watch the webisodes of the hardcore, intense training of the stellar cast of this local production of NEWSIES’ Training Ground at https://www.youtube.com/user/globeph.

Jef Flores as Davey Jacobs in Globe Live! and 9 Work Theatrical's NEWSIES
Jef Flores as Davey Jacobs in Globe Live! and 9 Work Theatrical’s NEWSIES

“We need our actors to be triple-threats, so instead of the usual auditions and rehearsals, Training Ground allows us to maximize their potential before going to actual rehearsals,” shares Caliro. “There is so much talent in the Philippines, and with proper training, we can elevate our skills to be world-class. It is also an opportunity for the cast to hone their skills at no cost with the best trainers in the country,” he adds.

Playing the role of Jack Kelly is recording artist, singer, actor and 9 Works Theatrical mainstay Gian Magdangal, who has just come back from a stint at Hong Kong Disneyland’s The Golden Mickeys and Universal Studios Japan. Joining him as part of the newsboys are Jef Flores (recent Gawad Buhay awardee for Outstanding Lead Actor for Tick, Tick…BOOM! ), Daniel Drilon (Secret Garden, Fun Home), Tory Cortez (Hansel and Gretel, A Christmas Carol), Luis Marcelo (Little Shop of Horrors), and Alex Diaz (Host & TV Personality, MYX VJ). Also in the cast are Danielle Chopin (Into the Woods, My Fair Lady), Greg Dulcie (The Wizard of Oz, Sweeney Todd), Pinky Marquez (The Wedding Singer, Beauty and the Beast), and Raymund Concepcion (Annie, The Little Mermaid).

Gian Magdangal as Jack Kelly in Globe Live! and 9 Work Theatrical's NEWSIES
Gian Magdangal as Jack Kelly in Globe Live! and 9 Work Theatrical’s NEWSIES

Chopin shares that, “the energy is going to be there. We are definitely doing our best to keep the Disney standard, which is going to be amazing. There’s a lot to look forward to, the dance, the music, the story, we have an amazing collection of people in this project and it’s just so much fun and you can really see all of the love and the blood and the sweat and the tears that have gone into it. So by the time we open, I think the audience will get to really feel that and enjoy it.”

“They can look forward to me sing and dance from start to end! I almost don’t get off the stage!” Madrigal chimes in.

Rounding up the cast are Franz Imperial, Ariel Reonal, Joni Galeste, Melissa Bell, Ian Ocampo, Ronelson Yadao, Erick Arenas, Jourdan Bartolome, Mark Anthony Grantos, Jim Ferrer, Chesko Rodriguez, Kendrick Ibasco, Anton Posadas, Stephen Viñas, Clark dela Riva, Jon Abella, MC dela Cruz, Vyen Villanueva and Jan Mayo.

Newsies Cast
The cast of Globe Live! and 9 Work Theatrical’s NEWSIES

The rest of the creative team are as follows – Franz Imperial as assistant director, Daniel Bartolome as musical director, Yek Barlongay additional choreography for tap, Ed Lacson as set designer, Eric Pineda as costume designer, Martin Esteva as lighting designer, GA Fallarme as video & projection designer, Myrene Santos as hair and makeup designer and Dong Calingacion as technical director.

For tickets and more information, go to http://go.globe.com.ph/newsies.html or https://www.ticketworld.com.ph/Online/default.asp or dial 891.9999.

#TheJellicleBlog  #GlobeLive9WTNewsies #CreateHeadlines

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