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News: CCP ARTHOUSE CINEMA’S EUROPELIKULA PRESENT ‘DIAMANTINO’

EuroPelikula

FOR its second offering this year, Europelikula, a monthly showcase of festival films from European Union member  countries jointly curated by CCP and the EU Delegation, will screen “Diamantino” by Gabriel Abrantes aand Daniel Schmidt on February 29, 5pm, at the Tanghalang Manuel Conde.

The film tells about the world’s premiere soccer star, named Diamantino, who loses his special touch and ends his career in disgrace.  Searching for a new purpose, the international soccer icon sets on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification, and the hunt for the source of genius.

Europelikula aims to foster cultural exchange, specifically through film, between Europe and the Philippines.  It is a new section under the CCP Arthouse Cinema, a program by the CCP Film, Broadcast and New Media Division which aims to promote appreciation among “newbies” and cineastes.

The CCP ArtHouse Cinema provides free screenings of indie films, award-winning Filipino animation, documentaries and themed sections, accompanied by talkbacks with directors, actors, and critics.  Other sections include Cinemulat, Pelicoolab: Gawad Alternatibo Specials, Cinemalaya Flashback Fridays, and World Cinema Series.

Starting February 29, Europelikula will be giving out freebies for early birds. CCP Film Society cardholders must RVSP to ccp.fbnmd@gmail.com and arrive earlier than 2:45pm, or their slots will be given to walk-in audience. For walk-ins, registration is in front of the theater, and starts 30 minutes before screening.

For more information, call the CCP Film, Broadcast and New Media Division at 8832-1125, local 1702 & 1705.  Or visit the CCP Facebook accounts and website (www.culturalcenter.gov.ph)

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News: Ballet Manila to end 24th season with a triple treat double bill

BALLET MANILA Carmina Burana and La Traviata cover

A double-bill grand finale that also brings a triple treat of classical elements. This is how Ballet Manila intends to conclude its most unforgettable 24th performance season.

Following Sleeping Beauty which was filled with enchantment and romance, Ballet Manila will go on a different route as it takes on a production about tragedy, death, and other inexorable fates of mankind with its latest production – Carmina Burana and La Traviata. This rare and powerful performance will combine classical ballet and music, and opera for a one-of-a-kind spectacular production scheduled on March 7, 2020, 6:00 p.m. and on March 8, 2020, 3:00 p.m. at the Samsung Hall, SM Aura Premier, Taguig.

Rudy de Dios. Photograhed by Erickson Dela Cruz.

Carmina Burana is a scenic cantata based on a series of 13th-century songs, while La Traviata is an Italian opera that tells the ill-fated story of a beautiful young courtesan wasting away from tuberculosis and her relationship with a young bourgeois from a provincial family. These timeless works of art will be seen in new light with Ballet Manila’s sophisticated dancing and creativity.

Rudy de Dios, a former principal dancer of Ballet Manila, created a choreography based on the music of Carmina Burana, including the famed “O Fortuna.” On the other hand, Ballet Manila CEO and artistic director Lisa Macuja Elizalde brought the story of Violetta and Alfredo to life once again by choreographing La Traviata.

Leading the ensemble of Carmina Burana are Romeo Peralta as Solom, Gerardo Francisco as Spreo, Joan Sia as Agape, and John Ralp Balagot as Atheos. While, La Traviata will come to life with Nicole Barroso as Violetta, Mark Sumaylo as Alfredo, John Ralp Balagot as Giorgio Germont, and Joshua Enciso as Baron.

Ballet Manila’s Carmina Burana and La Traviata is truly something to look forward to because, aside from great display of artistry, this spectacle will mark the end of a challenging yet fulfilling season filled with a lot of ups and downs for Ballet Manila.

Ballet Manila’s Trivia on Carmina Burana.
Excerpts from Carmina Burana and La Traviata were presented during the presscon, and here are some stills captured by Photographer Erickson dela Cruz:

Ballet Manila's Carmina Burana and La Traviata (5)
Ballet Manila's Carmina Burana and La Traviata (4)
Ballet Manila's Carmina Burana and La Traviata (7)
Ballet Manila's Carmina Burana and La Traviata (8)
Ballet Manila's Carmina Burana and La Traviata (10)
Ballet Manila's Carmina Burana and La Traviata (3)
Ballet Manila's Carmina Burana and La Traviata (6)
Ballet Manila's Carmina Burana and La Traviata (9)
Ballet Manila's Carmina Burana and La Traviata (11)
Ballet Manila's Carmina Burana and La Traviata (12)
Ballet Manila's Carmina Burana and La Traviata (13)

Ballet Manila's Carmina Burana and La Traviata (14)
Mam Lisa Macuja Elizalde with the Ballet Manila dancers preparing to answer some questions from the Press.

 

Ballet Manila's Carmina Burana and La Traviata (15)
The cast and artistic team of Ballet Manila’s Carmina Burana and La Traviata.

 

For tickets to Ballet Manila’s Carmina Burana and La Traviata, call SM Tickets at (02) 8470 2222 or log on to www.smtickets.com 

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News: SIX ‘VIRGINS’ TO LIFT CURTAINS AT VLF 16

Virgin Labfest logo 2

SIX ‘Virgins’ playwrights made it to the 16th edition of the Virgin Labfest, the annual festival of untried, untested, unstaged and unpublished theater works, happening on June 10 to 28, 2020, at the Cultural Center of the Philippines.

The VLF virgins who will make their debut in the upcoming theater festival include: Sorsogon-based writer Jobert Landeza who penned “Titser Kit”; Mark Norman Boquiren, with his “Mayang Bubot sa Tag-araw”; Floyd Tiogangco, with “Pilot Episode”; Daryl Pasion, with “Papaano Turuan Ang Babae Humawak ng Baril”; Luis Nario, with “Gin Bilog”; and film director Bibeth Orteza who is the only woman playwright, with “Bituing Marikit.”

Completing the final list are: Tyron Casumpang, with “Black Pink”; Anthony Kim Vergara, with “The Boy Boy and Friends Channel”; Juliene Mendoza, with “Multiverse”; Jay Crisostomo, with “Dapithapon”; Juan Ekis, with “‘Nay May Dala akong Pansit”; and Dustin Celestino, “Doggy.” These six playwrights have participated in the previous editions of the festival.

For the Stage Readings, six works have been selected; three of which are written by “virgin” playwrights, namely “Jenny Li” by Buch Dacanay, “Matira ang Matibay” by Bernice Dacara, and “Mongoloida’s Casa de Pun” by Claro delos Reyes. Other featured stage reading works are: “LadyMasters” by Rouchelle Dinglasan, “Bagahe” by Nicko de Guzman, and “Dominador Gonzales — National Artist” by Dingdong Novernario.

VLF festival director JK Aninoche expressed his gratitude to all the writers who “have shared their visions and voices to us.” The 12 finalists chosen for full-staging were selected from the 290 submitted entries.

VLF founder and former festival director Rody Vera and dramaturg Ina Azarcon Bolivar helped in selecting this year’s unique set of plays.

“I’m very excited on the richness of thought-making and breadth and depth of representation of human condition and contemporary life in this year’s edition of the VLF. Masayang may mga kasana sa pagsulong at paglikha. I’m looking forward to the VLF as a collaborative development platform for untried, untested and unstaged plays,” shared Aninoche.


Co-presented by the Cultural Center of the Philippines, acclaimed theater company Tanghalang Pilipino and Manila-based playwrights’ group Writer’s Bloc Inc., this year’s VLF follows the theme “Rurok.” Established in 2005, the VLF aims to provide Filipino playwrights a venue to present their unpublished, untried, untested and unstaged works to the theater-going public.

Follow VLF on Social Media, or visit www.culturalcenter.gov.ph for more information and promo. Connect with VLF by using hashtags: #virginlabfest #vlf16 #vlf2020 #vlfrurok #CCPVirginLabfest #untrieduntestedunstaged

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News: Cinemalaya is looking for entries to 2020 SHORT FEATURE CATEGORY

Cinemalaya 2020 Call for Entries

ENTRIES are now being accepted for the Short Feature category of the 2020 Cinemalaya Philippine Independent Film Festival. Deadline for submission is on or before February 28, 2020 (Friday), 6:00 p.m.

Open to all Filipino filmmakers, the Film, Broadcast and New Media Division accepts online or offline submission. For online submission, visit bit.ly/Cinemalaya2020SubmitShortFeat, fill out the online entry form and upload your film with the filmmaker’s profile.

For offline submission, the submission requirements include: a duly completed application form, a brief résumé/bio-data with two recent 2×2 photos of the filmmaker(s), synopsis in English, and the final work in MP4 format, with violator, saved in on DVD (1 copy) or USB. The final work should be properly labelled with the title, production company address (if any), contact numbers, production date, and director’s name. Its running time should not exceed 20 minutes, inclusive of the credit titles.

All entries must be submitted in a long brown envelope, properly labeled with proponent’s name, title and contact details.

Interested participants must submit the requirements to the Film, Broadcast and New Media Division, located at the 4/F Cultural Center of the Philippines (CCP), Roxas Boulevard, Pasay City.

The ten (10) best short features will be announced on May 12, 2020 (Tuesday), and will be screened on the Cinemalaya Philippine Independent Film Festival, slated on August 7 to 16, 2020.

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News: Daloy Dance Co. will perform a 3-hour interactive dance called Transcendance on Valentines Day

TranscenDance cover
Choreographer, contemporary performer, movement facilitator, Ea Torrado will offer a 3-hour interactive performance called Transcendance – A Daloy Movement on February 14 at Kondwi in Makati, as part of the 2020 Fringe Manila Art Festival, with live music by DJ Ed Croix. The performance will include an opening performance by K.Go, a Brooklyn-based artist, called “Hungry Ground”.

Originally trained in Ballet, Ea started Daloy Movement in 2014 as an embodied research on dance as a healing practice. She arrived at a place of fulfilment after many years as a company dancer first with Ballet Manila then Ballet Philippines and wanted to break free and shift her footing to a new flavour of expression. Coming from the highly technical, precise, and formalized movement world of Ballet, her exploration and exposure to Physical Theatre, Yoga, somatic practices, and community work, introduced Ea to a language of dance that is both rawfully beautiful and inclusive.

In a Daloy Movement Jam, all bodies and all backgrounds are welcome. The participants move to bracing music as Ea guides through winged verbalization of anatomical cues and imagery prompts that birth the space for each body to flow through the state of order, swell exponentially into chaos, and be trance-ported back into order again.
Titled, “Transcendance”, the movement jam aims to destroy and transcend the popular notion of love as clinginess and death without the other.

Daloy Movement also espouses the principle of a fluid payment scheme where the participants pay based on their economic capacity and their perceived value of the experience. This serves as a reflection of the body’s accessible and encompassing availability to be free. Expect to be enthralled by a live show of mind-body dance and cathartic release that our ancient ancestors knew very well.

Transcendance” is co-presented by Daloy Dance Company, Kondwi, and 10 Days of Art for Art Fair PH.

When asked, why is the title Transcendance? Ea asnwers, “Hmmm perhaps to Transcend through dancing And to transcend the common misused meaning of love in pop songs that is associated with clinginess or dying without the other etc.”

Ea Torrado

Cited as one of the most exciting and sought-after contemporary dancer-choreographers in the Philippines today, Ea creates visceral and evocative works that have been presented in numerous sites and stages in Manila and abroad. Rigorously trained in classical ballet from a young age, Ea has essayed principal and soloist roles in traditional and contemporary full-length dances, and toured extensively in the Philippines and abroad. She is the founder and artistic director of Manila-based dance theatre group, Daloy Dance Company. Her creations manifest in site-specific work, film, installation, improvisational performance and dance theatre pieces. She was awarded the prestigious Alvin Erasga Tolentino Koreograpiya Award (2014), Remedios De Oteyza Award for Choreography (2016) and Asian Cultural Council Grant (2017). She is also a member of World Dance Alliance- Philippines and (ICONS) International Consortium for Advancement in Choreography.

Daloy Dance Company

Daloy DC is committed to the appreciation and critical understanding of dance by realizing the creation of new choreographies and workshops by Ea Torrado and her guest artists.

Since 2014, Daloy Dance Company has made waves in the Manila art scene by fulfilling its founder and artistic director, Ea Torrado’s vision of generating daring and evocative dance theatre pieces with an ever-evolving group of dancers, thespians and artists from diverse backgrounds. Nominated by Aliw Awards as Best Dance Company of 2017 and Best Classical Dance Company of 2017, and Outstanding Contemporary Dance Group by The Philippine Leaf Awards 2019, the company has performed in a range of dance and art festivals in the Philippines and abroad, Japan, Korea, Thailand and USA, among others. They have also worked with guest teachers from Sweden, Singapore, USA, Australia and Canada. Capturing the energy and philosophy of Ea Torrado’s exploration of the human body as an instrument to provoke reflection and dialogue, Daloy has co-produced Walang Hiya Festival, Sayaw Galaw, Ugnayan Community Program, Tanghal at Talakay, and Daloy Movement— dance workshops that utilise dance as a tool for personal development, empowerment and change.

Daloy Dance Co. Photographs by Erickson Dela Cruz:
Daloy Dance Co (Photo by Erickson Dela Cruz) 001
Daloy Dance Co (Photo by Erickson Dela Cruz) 003
Daloy Dance Co (Photo by Erickson Dela Cruz) 005
Daloy Dance Co (Photo by Erickson Dela Cruz) 006
DancingUnashamed_DaloyDance_Sze_WalangHiya (Photo by Erickson dela Cruz)
Daloy Dance Co (Photo by Erickson Dela Cruz) 002

Daloy Dance Co (Photo by Erickson Dela Cruz) 004

KGo With Opening Performance titled ‘Hungry Ground’

K.Go is a Manila born experimental movement artist & biomythographer from Connecticut currently based in New York. She is inspired by questions around migrations, time travel or timelessness, shape shifting or shaping, queering and queer futurity. She has shared her work at Movement Research at Judson Memorial Church, Dancers Unlimited, Miguel Gutierrez’s Landing 3.0 at the Gibney Dance Center and is currently working with artist Lu Yim, at the Center for Performance Research. She is continuously grateful to have opportunities to share and move with others.

Follow FRINGE Manila Fanpage for more info.

 

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News: Pineapple Lab Opens 2020 with an Exhibition by Yasmin Almonte

PineappleLab _Unmasked

PINEAPPLE LAB UNMASKS ITS FIRST EXHIBITION FOR 2020

Get into the mind of the woman who has mentored some of today’s most talented visual artists and mother to one of Philippine Theater’s most-gifted young actresses – in what she says could one of her last exhibitions.

“I start with nothing. No preconceived ideas, no studies, no nothing. But this emotion I have inside of me in that moment? How do I express this emotion?”

With her instinctual, visceral approach to creating new work, Yasmin Almonte allows her thoughts and emotions to unravel organically. “I paint very fast. I can finish a work in three hours,” Yasmin says about her process, an instantaneous surge of paint and passion. The result can be seen in her new exhibition Unmasked, a journey through her diaristic process and a celebration of life through a deeply expressionistic and vital series of paintings.

Currently a professor at the University of the Philippines with a Masters of Arts Degree in Painting from the University of Northern Iowa, she brings her mastery of technique to an annual solo exhibition of her works. Her new show at Pineapple Lab, Unmasked, is a collection of paintings created over the past year, reflecting the movements of her day-to-day life as well as her liberation from fear and loneliness.

A cancer survivor, Yasmin has long-portrayed the evolution of her attitude towards life and those around her. “My works were galit, maangas, angsty,” she says of her oeuvre prior to her diagnosis with malignant fibrous histiocytoma nearly ten years ago. “My work started changing because my cancer taught me to be many things. Before cancer, I felt so alone and unloved…and I hated it. I learned to be forgiving. I learned that people loved me and wanted me to live. My paintings changed from that black and red period to flowers, to vibrant colors, to life.”

Variations on flowers, be it in full bloom, in color, or wilting, is a featured subject in Yasmin’s works, embodying the dynamism of her own thoughts and emotions. One work, entitled “BEYOND MEMORIES” curiously features unpainted outlines of flowers. “I thought, my god! I don’t need to paint the flowers because the flowers are gone. I cannot bring the flowers back. They are just memories,” Yasmin says. Embracing the feeling of loss, she left the flowers in their sketch form and painted the negative space surrounding them. Yasmin says, “When I paint it’s my way of reaching out, of taking away, of being able to exhale from the pain and expose it onto canvas and make something sad or painful into something beautiful.”

She owes much of her zeal to those around her, especially her daughter, the theatre actress, director, and professor Missy Maramara, who she has portrayed in a painting called “The Actress.” Depicting Missy in the taxing title role of “Ang Dalagita’y Isang Bagay na ‘di Buo” (staged by Dulaang UP In 2018), she not only expresses the character’s sorrow, but also highlights the generosity and unyielding spirit of the artist behind it.

After thirty-three years of practice, and having taught some of today’s most prominent contemporary visual artists like Leeroy New, Celeste Lecaroz, Marc Malto, Riel Jaramillo Hilario, Rebie Picazo Ramoso, Louie Talents, Leo Veloso, and a plethora of others, she feels that this may be one of her last exhibitions. “This is a very weak body, but not a weak soul,” Yasmin says. Even then, her work and sense of resolve have become more vital than ever. “When I am painting, I forget my labels, I forget my body, I forget my age. I am getting stronger.”

                 Unmasked opens January 24, 2020 at 6 PM. Works will be available for viewing starting January 24, 2020 to February 2, 2020. Pineapple Lab Gallery is located at 6053 R. Palma Street, Barangay Poblacion, Makati City. Operating hours are 11 AM to 6 PM from Tuesdays through Sundays.

TO REQUEST CATALOGUE, contact the Team at Pineapple Lab by sending an email to james.pelim@pineapplelab.ph

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News: AJ Mitchell Live in Manila

AJ Mitchell (photo) sm

Gather all your friends for AJ Mitchell’s Manila mall shows!

American pop sensation AJ Mitchell is set to serenade and meet his Filipino fans for an upcoming series of mall tours.

The eighteen-year-old pop singer-songwriter will be performing in select Megaworld Lifestyle Malls, from January 17 to 18, 2020 with the following schedule:

      • 01/17/20: Uptown Bonifacio (Friday, 7pm)
      • 01/18/20: Venice Grand Canal Mall (Saturday, 3pm)
      • 01/18/20: Eastwood City (Saturday, 7pm)

    “This will be my first time in the Philippines,” the teen heartthrob reveals in an interview.
    “I’m so excited to experience the culture and see as much as I can while there. I can’t wait to eat the amazing food and hopefully see some of the beaches as well.”
    With Nathan Huang of Nathan & Mercury and featuring Any Name’s Okay as opening act, the American recording artist will perform some fan favorites, including the mid-tempo jam “All My Friends” and the global smash “Slow Dance.”

Getting to know AJ Mitchell

With a slick and show-stopping voice, charismatic personality, and sharp songwriting chops, it’s no surprise that the fast-rising star has already charted three hits on the US top 40 radio chart in a span of less than two years: “Girls,” “All My Friends,” which peaked inside the top 25, and the Ava Max duet “Slow Dance,” now ranked #29 and still climbing.

In terms of streaming, AJ Mitchell has racked up more than 100 million streams and 4.15 million monthly listeners on Spotify, cementing himself as 2019’s most promising male artist.

Outside the US, the Philippines is considered to be one of the biggest music markets of AJ Mitchell, whose latest single “Slow Dance,” a collaboration with hit-maker Ava Max, is currently making waves in local streaming playlists and top 40 radio stations. “I was pleasantly surprised when I first learned this and I’m so excited to finally get to meet some of my Filipino fans,” the young musician/performer opens up about the warm reception on his previous and recent releases.

As for Ava Max, the pop phenom who has shown significant international attention with “Sweet and Psycho,” which topped the charts in 26 countries and landed a top 10 peak at the Billboard Hot 100 last year, the All My Friends singer has always been vocal about admiring her work ethic and talent. “Working with Ava Max was such an incredible experience. After sending her the track, she sent back her verse within hours. Even on the very first take she sounded so amazing that we immediately knew she was the one for the song.”

New album in the works

This year, AJ Mitchell will be releasing his debut full-length album under Sony Music. “This has been a wild ride so far and every day I think of how blessed I have been,” the budding pop personality reflects. “Over the next few years, I have so much more I hope to accomplish. Right now I can’t wait to finally release my first album called Skyview. Beyond that, I hope to have a #1 song, win a Grammy, go out on an international tour, and so much more.”

AJ Mitchell’s latest single “Slow Dance” is now available on all music streaming and download platforms worldwide.

You can watch the official music video of “Slow Dance” on Youtube, and stream the track in its entirety on Spotify.

 

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News: THE BAND’S VISIT COMPLETE CAST ANNOUNCED

Atlantis Theatrical’s THE BAND’S VISIT poster

Atlantis Theatrical Entertainment Group is thrilled to announce that musical theatre performers Jep Go, Dean Rosen, Steven Conde, Rhenwyn Gabalonzo and Leanne Mamonong complete the cast of the Tony and Grammy Award-winning musical THE BAND’S VISIT, which opens in March at the Carlos P. Romulo Auditorium, RCBC Plaza, Makati.

Jep Go, a finalist of Team Lea on The Voice,  has appeared in musicals such as SWEENEY TODD, BEAUTIFUL, ETO NA! MUSIKAL NAPO, and MADAGASCAR. He will be playing the Telephone Guy, the hopeless romantic patiently waiting for his girlfriend to call him at the town’s only payphone.  Dean Rosen, who has appeared in SWEENEY TODD, BEAUTIFUL, WAITRESS, and SPAMALOT, plays Zelger, the cheeky and self-asserting friend of Papi’s who sets Papi up with Julia.  Steven Conde, who has appeared in SWEENEY TODD, WAITRESS,  and KINKY BOOTS, plays Simon, the second in command of the Egyptian Police Band, eager to try his hand at conducting.  Rhenwyn Gabalonzo, whose credits include BEAUTIFUL, MATILDA, KINKY BOOTS, and JERSEY BOYS, will play Camal, a musician trying to contact the Egyptian embassy and competes with the Telephone Guy for the use of the town’s singular payphone.  Leanne Mamonong is a recording artist who has also taken to the stage with Metta Assumption Theatre under the tutelage of Ana Valdes-Lim. They join previously announced cast members Menchu Lauchengco-Yulo (Dina), Rody Vera (Tewfiq), Mark Bautista (Haled), Nino Alejandro (Avrum), Reb Atadero (Papi), Bibo Reyes (Itzik), Jill Peña (Iris), Maronne Cruz (Julia), and Floyd Tena (Sammy).

THE BAND’S VISIT opened on Broadway in 2018 and went on to win 10 Tony Awards including Best Musical. Based on the acclaimed film, THE BAND’S VISIT tells the story of an Egyptian Police Band that arrives in Israel to play concert. After a mix-up at the border, they are sent to a remote village in the middle of the desert. With no bus until morning and no hotel in sight, these unlikely travellers are taken in by the locals. Under the spell of the desert sky, their lives become intertwined in the most unexpected ways.  It features music and lyrics by David Yazbek and a book by Itamar Moses, and will mark its International Premiere in Manila.

Bobby Garcia, who will be directing the musical, says, “I couldn’t ask for a better cast than this to bring to life these rich, complex, and  human characters. THE BAND’S VISIT has become a modern musical classic, in my eyes, and I think it will be treasured for generations to come. I am extremely proud that we get to tell this story in Manila and bring to life this gorgeous musical with a cast unlike any other.”

THE BAND’S VISIT will have set design by Faust Peneyra, musical direction by Farley Asuncion, musical staging by Cecile Martinez, lighting design by Adam Honoré, costume design by Odelon Simpao, vocal direction by Manman Angsico, projection design by GA Fallarme, hair and make up design by Jaydee Jasa, and sound design by Justin Stasiw.

THE BAND’S VISIT will launch Atlantis’ 2020 season, dubbed as ATLANTIS TWENTY TWENTY. The season will also feature an all-new revival of the award-winning family musical OLIVER!, presented through a special licensing agreement with Cameron Mackintosh Ltd. and Music Theatre International, and ON YOUR FEET!, presented through a special licensing agreement with Theatrical Rights Worldwide and Gloria and Emilio Estefan.

THE BAND’S VISIT runs from March 13 to 29, 2020 at the Carlos P. Romulo Auditorium, RCBC Plaza, Makati City.
Show buying and fundraising opportunities are available now. Email shows@atlantistheatrical.com for inquiries. Tickets are now available at www.ticketworld.com.ph.

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News: Philippine Leaf Awards announces their finalists for the 2019 LEAF THEATER

Philippine Leaf Awards Logo (widen)

The Philippine Leaf Awards proudly announces the finalists for LEAF THEATER 2019. This covers performances from October 1, 2018 to November 30, 2019.

OUTSTANDING PERFORMANCE BY AN ACTRESS IN A MUSICAL

Kim Molina (Rak of Aegis 7/PETA)
Joanna Ampil (Waitress/Atlantis Theatrical)
Shiela Valderrama – Martinez (Passion/Philippine Opera Company)
Aicelle Santos (Himala/9 Works Theatricals)
Krystal Kane (Spring Awakening/Ateneo Blue Repertory)
Tanya Manalang (Ang Huling El Bimbo/Full House Theater Co./Resorts World)

OUTSTANDING PERFORMANCE BY AN ACTOR IN A MUSICAL

Sandino Martin (Spring Awakening/Ateneo Blue Repertory)
Vien King (Passion/Philippine Opera Company)
Arman Ferrer (Mabining Mandirigma /Tanghalang Pilipino)
Gian Magdangal (Ang Huling El Bimbo/Full House Theater Co./Resorts World)
David Ezra (Mabining Mandirigma/Tanghalang Pilipino)

OUTSTANDING PERFORMANCE BY AN ACTRESS
IN A FEATURED ROLE (MUSICAL)

Bituin Escalante (Waitress/Atlantis Theatrical)
Marriela Munji Laurel (Binondo/MA-Yong Foundation)
Carla Guevara-Laforteza (Ang Huling El Bimbo/Resorts World)
Maronne Cruz ( Waitress/Atlantis Theatrical)
Bernadette Mamauag (Noli Me Tangere The Opera/J&S Production)

OUTSTANDING PERFORMANCE BY AN ACTOR
IN A FEATURED ROLE (MUSICAL)

Nino Alejandro (Waitress/Atlantis Theatrical)
Rody Vera (Rak of Aegis 7/PETA)
Vince Lim (Rak of Aegis 7/PETA)
Bibo Reyes (Waitress/Atlantis Theatricals)
Juancho Gabriel (Spring Awakening/ Ateneo Blue Repertory)

OUTSTANDING ENSEMBLE CAST FOR A MUSICAL

Spring Awakening (Ateneo Blue Repertory)
Binondo, A Tsinoy Musical (MA-Yong Foundation)
Ang Huling El Bimbo (Full House Theater Co./Resorts World)
Mabining Mandirigma (Tanghalang Pilipino)
Rak of Aegis 7/(PETA)

OUTSTANDING MUSICAL DIRECTOR

Ejay Yatco (Mabining Mandirigma/Tanghalang Pilipino)

Von de Guzman (Binondo, A Tsinoy Musical/MA-Yong Foundation)
Eugene Belbis (Sleeping Beauty/Kids’ Act Philippines Inc)
Herminigildo Ranera (Noli Me Tangere, The Opera/J&S Production)
Jesse Lucas (Roses for Ben/Artist Playground)

OUTSTANDING DIRECTOR FOR A MUSICAL PRODUCTION

Ed Lacson (Himala/9 Works Theatricals)
Chris Millado (Mabining Mandirigma/Tanghalang Pilipino)
Missy Maramara (Spring Awakening/Ateneo Blue Repertory)
Dexter Santos (Ang Huling El Bimbo/Resorts World)
Jerry Sibal/Jose Jeffrey Camanag (Noli Me Tangere, The Opera/ J&S Productions)

************

OUTSTANDING PLAY

Ang Dressing Room (Dulaang UP)
Katsuri (Tanghalang Pilipino)
Alyas July (Dulaang Filipino/CSB)
Nana Rosa (Dulaang UP)

OUTSTANDING PERFORMANCE BY AN ACTRESS

Missy Maramara ( Stop Kiss/Music Artes)
Bibeth Orteza (Dolorosa/Tanghalang Ateneo)
Peewee O’Hara (Nana Rosa/Dulaang UP)
Delphine Buencamino (If He Doesn’t See Your Face/Arete Productions)
Jill Pena (Dancing Lessons/Twin Bill Theater)
Jenny Jamora (Stop Kiss/Music Artes)

OUTSTANDING PERFORMANCE BY AN ACTOR

Roeder Camanag (Ang Dressing Room/Dulaang UP)
Marco Viana (Katsuri/Tanghalang Pilipino)
Jonathan Tadioan (Katsuri/Tanghalang Pilipino)
Ron Capinding (Dolorosa/Tanghalang Ateneo)
Brian Matthew Sy (If He Doesn’t See Your Face/Arete Productions)
Randy Villarama (Dancing Shoes/Twin Bill Theater)

OUTSTANDING PERFORMANCE BY AN ACTRESS
IN A FEATURED ROLE

Stella Canete (Ang Bahay ni Bernarda Alba/Dulaang UP)
Sherry Lara (Coriolano/Tanghalang Pilipino)
Joan Cabunag (Alyas July/Dulaang Filipino)
Krystle Valentino (Nana Rosa/Dulaang UP)
Jannah Baniasia (Ang Dakilang Teatro ng Daigdig/ CSB School of Design)

OUTSTANDING PERFORMANCE BY AN ACTOR
IN A FEATURED ROLE

Brian Matthew Sy (Coriolano/Tanghalang Pilipino)
Norman Penaflorida (Nakakapagpabagabag/Artist Playground)
Mitoy Sta Ana (Ang Dressing Room/Dulaang UP)
Seth Dela Llana (Alyas July/Dulaang Filipino/CSB)

OUTSTANDING ENSEMBLE CAST

Ang Dressing Room (Dulaang UP)
M. Butterfly National Tour (Frontrow Entertainment)
Alyas July (Dulaang Filipino/CSB)
Manila Notes(Tanghalang Pilipino/Japan Foundation)
Katsuri (Tanghalang Pilipino)
Marat/Sade (UP Dulaang Laboratoryo)

OUTSTANDING DIRECTOR

Carlitos Siguion Reyna (Katsuri/Tanghalang Pilipino)
Alexander Cortez (Ang Dressing Room/Dulaang UP)
Riki Benedicto (Alyas July/Dulaang Filipino/CSB)
Francis Matheu (Dancing Lessons/Twin Bill Theater)
Ed Lacson Jr. (Stop Kiss/Music Artes)
Joy Cerro (Marat/Sade, UP Dulaang Laboratoryo)

OUTSTANDING EMERGING PERFORMANCE ART (Musical or Non Musical)

Mural (Uyat Artista/Jocson College CLDCAS)
Tao Po (Rise Up/Juana Change Movement)
La Luna Roja (Fundacion Centro Flamenco)
The Weight of Words (Black Canvas Theater)

OUTSTANDING PERFORMER IN AN EMERGING PERFORMANCE ART

Elle Ocampo (Mural/Jocson College/CLDCAS)
Mae Paner (Tao Po/Rise Uo/Juana Change Movement)
Tami Monsod (La Luna Roja/Fundacion Centro Flamenco)
Abner Delina Jr. (The Weight of Words/Black Canvas)

OUTSTANDING DIRECTOR EMERGING PERFORMANCE ART

Leo Rialp (La Luna Roja/Fundacion CentroFlamenco)
Ed Lacson Jr (Tao Po/Rise Up/Juana Change Movement)
Jayson Gantan Pabalan (Mural/Uyat Artista/Jocson College CLDCAS
Abner Delina Jr. (The Weight of Words/Black Canvas)

OUTSTANDING PRODUCTION FOR CHILDREN

Tigmamanukin (Artist Playground)
Sleeping Beauty (Kids Acts Philippines Inc.)
Hanggang Isang Araw (UP Dulaang Laboratoryo)
Nia & Anwar/The Whale Shark Tale (Gloria Fantasyland/Dapitan)

OUTSTANDING CULTURAL/THEATER GROUP

Uyat Artista (Angeles City)
Tanghalang Sandaang Pulo (Alaminos Pangasinan)
Aklan Performing Arts Network (Western Visayas)
Kanlaon Theater Guild (Negros Occidental)
Barasoain Kalinangan (Malolos Bulacan)

OUTSTANDING SCENOGRAPHY

Nia and Anwar/The Whale Shark Tale/ Gloria Fantasyland
Katsuri/Tanghalang Pilipino
Alyas July/Dulaang Filipino CSB
Himala/9 Works Theatricals
Hanggang Isang Araw (UP Dulaang Laboratoryo)

BEST SPECIAL EVENTS

Imbukada (Belison, Antique)
70th Anniversary PESA (Phil Electronic Suppliers Assoc)
San Miguel Yamamura Packaging Conference
Pinoy Playlist, BGC
Koryo Mindanao

BEST SPECIAL EVENTS DIRECTOR

Noel Maximo (San Miguel Yamamura Packaging Corp Conference)
Rodel Mercado (70th Anniversary, Federation of Electrical Suppliers)
Basilidas Pilapil (Koryo Mindanao)
Peter Macrohon (Imbukada)

 

THE AWARDING CEREMONY IS SET ON FEBRUARY 8, 2020 (SATURDAY)
at CARLOS P. ROMULO AUDITORIUM RCBC PLAZA, MAKATI CITY, 2 PM – 5 PM

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News: Cultural Center of the Philippines unveiled their line up of programs for 2020.

50CCP Cultural Center of the Philippines 50th year Logo

THE Cultural Center of the Philippines unveiled its 2020 performance season.  CCP vice president and artistic director Chris Millado presented the CCP’s year-long programming in a press conference held recently at the CCP Tanghalang Huseng Batute.

CCP welcomes the new year with forthcoming productions from its resident companies – the Philippine Philharmonic Orchestra, Ballet Philippines, Philippine Ballet Theatre, Tanghalang Pilipino, Ramon Obusan Folkloric Group, Bayanihan Dance Company, UST Symphony Orchestra, National Music Competitions for Young Artists (NAMCYA), and the Philippine Madrigal Singers.  Local and international outreach performance tours are likewise set for some of the resident companies throughout the year.

_14 Dulaang UP Fuente Ovejuna
A scene from Dulaang UP’s production of Lope de Vega’s “Fuente Ovejuna”. Photo by Erickson dela Cruz

A University Theater Season is set in 2020 wherein select university-based theater groups take to the CCP venues to showcase next-generation talent in their productions of original Filipino works, adaptations of classics and experimental work.  The season of university theater productions ramps up to the 13th International University Theater Association’s (IUTA) Congress and Festival to be held in August.

International Filipino tenor Arthur Espiritu leads a stellar international cast from Italy and Manila in the staging of the opera “Lucia Di Lammermoor” by Gaetano Donizetti, the Italian-language libretto written by Salvadore Cammarano based upon Sir Walter Scott’s historical novel “The Bride of Lammermoor.”

Ternocon II, a unique competition involving the young designers in a mentoring atelier workshop with established designers in a process that engages the history, technique, and construction of the classic Filipino terno, culminates in a grand fashion concert where the winners are announced.

Other events include concerts (Triple Threats), festivals (CCP Jazz Festival in Baguio City, Banda Rito Banda Roon: Symphonic Band and Clarinet, The Rainbow LGBTQI Arts; Festival of Arts and Ideas), plays (Tanghalang Pilipino’s “Batang Mujahideen” and “Lam-Ang, an Ethno-Epic Musical”), a production of “Senadala at Persyanus: Ang Bagong Mukha ng Moro by community-based theater organization Komedya ng Don Galo, and other productions. 

Markki Stroem at the Cultural Center of the Philippines, Photo by Erickson dela Cruz
Markki Stroem will be part of the Triple Threats concert series. Photo by Erickson dela Cruz.

Highlights of the 2020 CCP season calendar include the inauguration of the CCP’s newest venue Tanghalang Ignacio Gimenez (CCP Black Box Theater), the first CCP Arts and Social Media Festival, Launching of Rare Digitized CCP Performances Collection of the CCP Library and Archives, and the Genesis Magazine Anniversary Edition, CCP Digital Time Capsule, Luces: Festival of Illuminations, CCP Arthouse Cinema screenings, Philippine Hip-Hop Dance Championship and the like.

 The CCP Encyclopedia of Philippine Art (EPA) will soon be available digitally in 2020 including a Digital Installation, Website launch, Mobile Application, and Offline Version as well.

 There are also the CCP regular events such as the Pasinaya, considered the largest multi-arts festival in the country; the Virgin Labfest, the annual festival of raw, untested and unstaged one-act plays, followed by an Extra Virgin LabFest to be held in other regions; Cinemalaya, the largest independent film festival with the aim to support cinematic works by upcoming and veteran Filipino filmmakers.

 Proud of its art education and outreach programs, the CCP continues to hold various training and workshops for national rondalla, national folk dance for teachers, choral groups, and summer dance, to name some.

 Must-see exhibitions include the following: “1986 People Power Revolution – The aftermath from Cultural Center of the Philippines to Sentrong Pangkultura ng Pilipinas: The Center in the Midst of Change”,  “Valerio Nofuente and Emmanuel Sanchez Collections: The Banned Library Materials During the Martial Law Era”, “Allegories And Realities Ofelia Gelvezon-Tequi: In Retrospect”, Launching of the 21AM (21st Century Arts Museum), “1st of May: The Roles of Amado Vera Hernandez and Isabelo Florentino De Los Reyes in the History of the Labor Movement in the Struggle for Social Justice and Liberation”, Severino Rivera Reyes (1861-1942) “Father of the Tagalog Sarsuwela”, “Launch of the CCP Print Folio: 20/30 I & II: A Limited Edition Print Portfolios in Celebration of the 50th Year Anniversary of CCP”, Cinemalaya Eye Fix, among other shows.

 

HIGHLIGHTS OF THE CCP INSTITUTIONAL PRESSCON:

(posted by Mr. Camilo Villanueva Jr.)

  • The fully editable and interactive Digital CCP Encyclopedia of Philippine Arts, to be distributed free to public schools and universities.
  • Interactive Digital Wall Installations, which not only feature full info on current shows but also layerable timeliness on the different arts, along with a Time Capsule.
  • CCP Digital HD to extend the lifespan of high-budgeted productions to be launched with Virgin Lab Fest’s “Mga Kontrabida” by Lasallian Dustin Celestino.
  • A Dulaang UP production of Lope de Vega’s “Fuente Ovejuna“, the last work of Antonio “Tony” Mabesa+, translated by Nicolas Pichay.
  • The First Social Media and the Arts Festival in May, a brainchild of Irene Rada who is retiring this year.
  • The opening of CCP’s New Black Box Theater, which Tess Rances herself assured will finally push through.
  • The revival of Triple Threats concerts featuring Markki Stroem, among others, and
  • Spinifex Group’s dynamic Audiovisual Light and Video Matting for the CCP Facade in September, 2020

 For more information, please call CCP at 8832-1125 and visit www.culturalcenter.gov.ph

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News: CINEMA UNDER THE STARS AT CCP

CCP SINAG Festival of Radiance 12

Enjoy the yuletide season while watching free movies as the Cultural Center of the Philippines presents Cinema under the Stars, a three-night special event featuring screenings of the best Cinemalaya, Gawad Alternatibo, and select family-friendly films, surrounded by the glittering parols and featuring performances as part of the CCP’s Sinag: Festival of Radiance from December 13-15, 2019 at the CCP Front Lawn at 6pm.

Sinag: Festival of Radiance is a light and sound show showcasing the CCP’s fifty years of excellence in the field of performing, literary, visual and multi-media arts and its continuing partnership with its regional network.

CCP SINAG Festival of Radiance 07
The 20-feet sundial art installation by artist Toym Imao Jr. Photographed by Erickson dela Cruz
CCP SINAG Festival of Radiance 02
Abner Delina Jr. hosts the program. Photographed by Erickson dela Cruz

The performances complement the beautiful lanterns created by the Kapampangan craftsmen from the renowned family of lantern makers, now led by 5th generation artisan, Arvin Quiwa, as well as the 20-feet sundial art installation by multimedia artist Abdulmari “Toym” Imao Jr.  Located at the CCP Front Lawn, the installation represents the role of arts and culture in society over time.
CCP SINAG Festival of Radiance 08
CCP SINAG FEstival of Radiance 01

CCP SINAG Festival of Radiance 04
Sir Ariel Yonzon of the Cultural Center of the Philippines led the Organizing Committee for this event. Photographed by Erickson dela Cruz

CCP SINAG Festival of Radiance 05

CCP SINAG Festival of Radiance 10
Creator of PANDESALAWAL film Direk Che Espiritu graces the event. Photographed by Erickson dela Cruz

CCP SINAG Festival of Radiance 09

CCP SINAG Festival of Radiance 11

Program for the event consists of the following:

December 13, Friday

6pm-6:25pm – Sinag: Festival of Radiance – a light and sound spectacle

6:30pm-7pm – Diskarte by Mich Cervantes and Agu Crisostomo – Short film

            Asan Si Lolo Me? by Sari Estrada – Short film

7pm-7:25pm – Sinag: Festival of Radiance

7:30pm-9:20pm – Christmas in Our Hearts Reloaded (by RESBAK) – Short film

        Pan De Salawal by Che Espiritu – Full length film

9:20pm-9:45pm – Sinag: Festival of Radiance.

 

December 14, Saturday

6pm-6:30pm – Ephesus Teatron Group Inc.’s Tribu – Performance

6:35pm-7pm – Sinag: Festival of Radiance

7pm-7:30pm – Ephesus Teatron Group Inc.’s Tribu – Performance

7:30pm-9:20pm – Maligaya Sana Ang Pasko (by RESBAK) – Short film

                          Paper Cut by Patricia Baguio Camino – Short film

                          Ekstra by Jeffrey Jeturian – Full length film

9:20pm-9:45pm – Sinag: Festival of Radiance.

 

 

December 15, Sunday

6pm-6:30pm – PWU Indayog Gongs – Performance

6:35pm-7pm – Sinag: Festival of Radiance

7pm-7:30pm – PWU Indayog Gongs – Performance

7:30pm-9:20pm –

      Christmas In Our Hearts Reloaded (by RESBAK) – Short film

      Sa Saiyang Isla by Christian Candelaria – Short film

      Doon Sa Kabila Ng Bulkan by Ellen Ramos – Short film

      Ang Maangas, Ang Marikit at Ang Makata by Jose Ibarra Guballa – Short film

      Ang Babae Sa Septic Tank by Marlon Rivera – Full length film

9:20pm-9:45pm – Sinag: Festival of Radiance.

 

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News: SPOTLIGHT ON ‘HIV’ ADVOCACY WITH PETA’S 52nd SEASON FINALE “UNDER MY SKIN”

PETA’s UNDER MY SKIN -photos and artwork by Erickson Dela Cruz

The Philippine Educational Theater Association (PETA) stages Under My Skin, written by Rody Vera and directed by Melvin Lee, as its 52nd Theater Season finale. The play refelects PETA’s advocacy for raising awareness and starting conversations towards pressing issues, which now sheds light on the different faces behind HIV and AIDS.

Under My Skin is an anthology drama about the stories of Filipinos living with HIV. We are introduced to a number of characters affected by the epidemic, and their stories are woven together by epidemiologist Dr. Gemma Almonte, who ultimately hopes for a change in public preception, an increase in compassion, and a society afflicted not with ignorance and prejudice, but with compassion and understanding.

Mr. Rody Vera. Photo by Erickson Dela Cruz

A commissioned piece requested by TV and film director Andoy Ranay in 2016, playwright Rody Vera shares that Under My Skin is actually beased on people he personally knows and loves. “I decided to write in multiple stories that will somehow mirror the overwhelming increase of HIV cases. And yet nobody seems to be as alarmed, thinking that it’s just a ‘gay’ disease,” Rody says.

UNAIDS reports cite the Philippines as the No. 1 Country with the fastest growing HIV epidemic in the world, with an estimate of 70,000 cases by the end of 2018. According to the HIV/AIDS & Art Registry of the Philippines under the Department of Health, there are 35 newly diagnosed cases of HIV everyday as of June 2019. It’s an alarming spike from the data of 2008 that reports only one new case per day, and the ages affected are now becoming even younger. To combat this global epidemic, UNAIDS established 90-90-90 -a new target for HIV treatment by 2020: 90% of all people living with HIV will know their HIV status; 90% of all people with diagnosed HIV infection will receive sustained antiretroviral therapy; 90% of all people receiving antiretroviral therapy will have viral suppression.

That is the reason why PETA chooses Under My Skin to take center stage in the launching of the “Acting on HIV” campaign. In partnership with advocacy organizations LoveYourself and The Red Whistle, with the support of UNAIDS and Unilab, Under My Skin exhibits Rody’s intention to use theater as a platform to educate and stir action. “I wanted to address the misconceptions, the fears, as well as the opportunities for correcting these,: he says.

Director Melvin Lee believes that it is a timely avenue to discuss and confront topics such as this in order to spark conversations among the people. “A change in mindset is important. that HIV is not just a ‘gay’ issue since it can affect anybody of any age. It is not simply a private concern, but one that is a public concern. The spread of HIV is a multi-faceted issue,” says Melvin. He also shares that the challenge of Under My Skin is how to present the different stories as truthful as possible. “The material’s strength is the authenticity of the stories and it has to be told in the most raw form and truthful fashion,” Direk Melvin says.

Under My Skin will be a significant addition to the current efforts of HIV advocacy plans in the country’s theater scene, but Melvin and Rody believe that this will be a standout play, especially with PETA’s evident tradition and success in tackling sensitive topics through the arts in the past. “The play will not only provide the pertinent information about the disease but it will also showcase the wide range of characters that will inspire compassion and humanity in audiences,” Melvin shares. “In doing so, then we will hopefully affect and we can contribute together in the eradication of the stigma on HIV.” Likewise, Rody hopes that both audiences and artists will be moved on an individual level, and also up to the levels of implementing policies and supporting initiatives to address HIV and AIDS. “Under My SKin addresses not only the nature of the disease but also how society views it, their perceived carriers, and the patients,” Rody explains. “It covers medical, political, social and economic factors. It even covers religious and moral issues. Dealing with HIV is not just about dealing with the virus alone.”

Under My Skin stars TV, film and theater artists Cherry Pie Picache, Roselyn Perez, Miguel Almendras, Mike Liwag, Anthony Falcon, and Dylan Talon, together with a roster of PETA artists; Eko Baquial, Gio Gahol, Gold Villar-Lim, She Maala, Mico Esquivel, Bene Manaois, Lotlot Bustamante, Kitsi Pagaspas, Ekis Gimenez, Erold Enriquez, Jarred Jaicten, Joseph Madriaga, Jason Barcial, Dudz Teraña, Rachelle Gimpes, Reggie Ondevilla, Roy Dahildahil, and Csai Habla.

The Cast and Artistic Team of PETA’s UNDER MY SKIN. Photo by Erickson Dela Cruz

Under My Skin will be showing from February 7 to March 22, 2020 (8 pm at Fridays. 3 pm and 8 pm at Saturdays and Sundays) at the PETA Theater Center, #5 Eymard Drive, Brgy. Kristong Hari, New Manila, Quezon City. For tickets and showbuying inquiries, please contact PETA at petatheater@gmail.com / 725-6244, or Ticketworld at www.ticketworld.com.ph / 891-9999.

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News: Philippine Philharmonic Orchestra 2019 Christmas Concert at the CCP

PPO Christmas Concert 2019

CELEBRATE the Yuletide season with the Philippine Philharmonic Orchestra on December 20, 2019, 8:00 pm at the Main Theater of the Cultural Center of the Philippines. Guest soloists are percussionist Aimee De la Cruz, child soprano Alexa Kaufman and clarinetist Franz Jensen Andra. Maestro Herminigildo Ranera leads the PPO.

Program includes two works by Samuel Barber (“Adagio for Strings” and “Die Natali op.36”), Carl Maria von Weber’s “Concertino for Clarinet and Orchestra, op.26”, Cesar Franck’s “Panis Angelicus”, Felipe De Leon’s “Payapang Daigdig”, Pietro Yon’s “Gesu Bambino”, Darius Milhaud’s “Concerto for Percussion and Small Orchestra”, and Peter Ilich Tchaikovsky’s “Capriccio Italien op.45”.

Aimee Mina-De la Cruz holds a Bachelor of Music Degree from Saint Paul University Manila under the Extended Tertiary Education Equivalency and Accreditation Program, and a Diploma in Creative and Performing Musical Arts from the University of the Philippines. As a soloist, Aimee performed under the baton of the late Maestro Oscar Yatco with the Philippine Philharmonic Orchestra, and also with the PhilBanda Wind Orchestra at the Singapore International Band Festival. Most recently, she was one of the featured soloists in the “OH-Asian Percussionists” Concert in Chai Wan, Hong Kong.

Alexa Isobel Kaufman is the youngest member of the Philippine Opera Company. Likewise, she is the youngest student of Emeritus Professor of the University of the Philippines College of Music and Gawad CCP Maestra Fides Cuyugan Asensio. She has undergone vocal coaching with National Artist for Music Ryan Cayabyab, tenor Francisco Aseniero and soprano Karla Gutierrez and has attended several Masterclasses by Mr. Nick Lizaso, Mr. Robbie Guevarra, Mr. Ronnie Fortich, Ms. Menchu Lauchengco and Mr. Maynard Peñalosa.

Franz Jensen Andra is currently a scholar at the Philippine High School for the Arts under the tutelage of Prof. Ariel Sta. Ana, principal clarinetist of The Philippine Philharmonic Orchestra. He recently won 2nd prize at the First Macao International Clarinet Competition in the 18 years under category. Franz is one of the finalists of the First FilKor Youth Orchestra Concerto Competition and was featured as soloist of the Philippine Philharmonic Orchestra in their Family Concert of 2019. At present, Franz is the concert master of the community-based General Trias Youth Symphonic Band, and also a member of the Sta. Cecilia Band 89 of General Trias, Cavite and The Philippine Youth Symphonic Band.

Ticket prices are P1500/1200/800/500/400, with discounts available to students, senior citizens and groups. For inquiries, please call the CCP Box Office at 8832-3704.

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News: Daang Dokyu – A Festival of Philippine Documentaries Launched

Daang Dokyu (white) banner

With 100 years on its back, Philippine cinema celebrations have mainly focused on narrative films. A group of filmmakers now feel it is high time that films with real-world impact and purpose are celebrated.

Documentary filmmakers Jewel Maranan, Baby Ruth Villarama, Kara Magsanoc-Alikpala and Monster Jimenez have decided to initiate a move towards this and pioneer a documentary festival about the Philippines.

What started as a casual conversation two years ago among the four women gradually evolved into a full-scale documentary-driven event.
 
“We want people to fall in love with documentaries.  Like any good movie, it can be compelling, emotional, life changing, life-saving and transformative,” shares broadcast journalist Kara Alikpala.

Daang Dokyu is a festival of Philippine documentaries slated from February 15 to 20, 2020 at Cine Adarna at the University of the Philippines. 

The six-day festival will exhibit films curated and presented with Q&As with filmmakers. It will hold a supplemental exhibition presenting the expanse of Philippine documentaries; launch a book on Philippine documentaries; and will culminate with the first ever Philippine Documentary Forum, which will be the largest gathering of documentary filmmakers in the country.

Researchers of the Daang Dokyu Festival have already found 200 remarkable documentaries, and the festival is looking forward to discovering more.

“We are at a point when there has never been as many documentary practitioners in our cinema history not only continuing the practice of documentary filmmaking but also actively pushing the limits of acceptable form, stories and ways of seeing. For this, Daang Dokyu is an occasion for the inspiration and encouragement of the documentary community,” says documentarist Maranan who is also the founder of Cinema Is Incomplete, an alternative arts and film distribution center.

Daang Dokyu is still open to look into films that resonate with Pinoys, provoke convention, or question existing taboos. They are also hoping to discover hidden films emerge from different regions.

The search is ongoing for nonfiction or documentary work of any type and running length.

Updates on the Daang Dokyu Festival are available at daangdokyu.ph and on its various social media platforms. For direct inquiries on film submissions, email info@daangdokyu.ph.

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