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News: Zsazsa Zaturnnah Ze Muzikal, Tanghalang Pilipino’s Walang Sugat, Michael Cinco x Ballet Philippines Autumn-Fall 2020 are among the CCP shows in line up to be stream online this May

CCP shows (online streaming) May 2020

Miss going to the Cultural Center of the Philippines and watch its world-class shows? The CCP Online premieres archival recordings and shows in HD that celebrate Filipino artistry and talents.

This May 19, CCP puts the spotlight on the Visayan culture and traditions in “Perlas ng Silangan” (Pearl of the Orient Sun). Made possible through its Cultural Exchange Department, the collaborative dance drama featuring four leading regional performing groups, namely the Sinukwan Kapampangan Performing Arts of Angeles City, Pampanga; Maskara Theater Ensemble of the University of St. La Salle Bacolod City; the Philippine Baranggay Folk Dance Troupe Rondalla from NCR; and the Integrated Performing Arts Guild (IPAG) of MSU-IIT Iligan City. The show was presented on October 10 at the CCP Tanghalang Aurelio Tolentino.

Ballet Philippines’ Romeo and Juliet takes audiences on an emotional rollercoaster on May 21. With music by Sergei Prokofiev and choreography by National Artist for Dance Alice Reyes, the Shakespeare’s classic romance tale of star-crossed lovers offer audiences a captivating feast for the senses.

It’s a sarsuwela night on May 23 with Tanghalang Pilipino’s Walang Sugat. Written by Severino Reyes who is regarded as the father of the Tagalog sarsuwela, it follows the story of Tenyong who outwits the people trying to separate him from his love interest Julia. The literary masterpiece speaks against imperialism, revealing scenes that depicted the cruelty of the Spanish friars and how patriotic Filipinos died in their hands.

Tanghalang Pilipino’s Walang Sugat. Photographs by Erickson Dela Cruz © 2012

 

Fashion and ballet come together on May 26 with the Michael Cinco x Ballet Philippines Autumn-Fall 2020. Produced to celebrate the golden anniversary of BP, the one-night gala features Swan Lake-inspired dance choreography by Alden Lugnasin and the couture fashion collection by designer Michael Cinco.

 

Agnes Locsin’s neo-ethnic masterpiece, Ballet Philippines’ Encantada, premieres on the virtual stage on May 28. Presented as the opening salvo for BP’s 42nd dance season, it centers around the sovereign spirit of the mountain. The show featured guest artist Georgette Sanchez and BP principal dancer Candice Adea as the Encantada, Jean Marc Cordero as Estranjero and Katherine Trofeo and Carissa Adea as the Babaylan.

 

The hit superhero musical, Zsazsa Zaturnnah Ze Muzikal, saves the day on May 30. Based on graphic novel of the same title by Carlo Vergara and performed by Tanghalang Pilipino actors, it follows the adventure of a gay beauty salon owner who transforms into a voluptuous superhero who saves her town from marauding zombies, power-tripping fashion forward aliens and a giant dancing frog.

Catch these shows at CCP YouTube channels. Watch as much as you can for free. The shows are live for a week. Subscribe to their YouTube channel at bit.ly/CCPOnlineYT!

#CCPOnline
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NLEC PH, AN ALLIANCE OF VARIOUS SECTORS OF THE LIVE EVENTS INDUSTRY RECENTLY FORMED

NLEC PH banner

Live Events was the first to feel the impact of the crisis when events were cancelled as early as January 2020 when news of the pandemic broke out. Live Events is now deemed the last to recover.

LIVE EVENTS is an “experience industry” with a chain linking various sectors – from Theatre, Weddings and Social events, AVL (audio-video and lights) and staging suppliers, Agencies and Activations, Concerts, Gigs and Festivals, Freelance Production Workers, Conventions and Venues.

What many don’t realize is how large this ecosystem is and the impact on this industry is far, wide, and deep.

Formed in response to the Covid-19 pandemic and its critical impact on the many people behind this industry, various sectors of the Live Events Industry banded together last April 29, 2020 in alliance to what is now aptly named the NATIONAL LIVE EVENTS COALITION PHILIPPINES (NLECPH).

The mission of NLEC PH is to support the people “behind the scenes” and help the many voices that make up the live events industry.

The Live Event industry is not just a temporary shutdown of businesses – it is an entire year of income, trade and jobs essentially wiped out. Far from a retail industry, where, however devastating it may have been, the retail industry can get to a point where it can reopen, mobilize and bring its staff back in. The vast majority of the Live Events industry are focused on the delivery of one single large event across the entire year, and that has all been eliminated. NLEC PH is genuinely and actively at the forefront of every live show comprised of planners, producers, agencies, audio, visual, lights and stage suppliers, and a united freelance live event workforce.

The vision of National Live Events Coalition PH is to unite the various sectors of the Live Event Industry without political agendas, hidden schemas or business interests. It exists to provide advocacy, resources and a network that connects and supports all of the businesses, contractors and our workforce – the lifeblood of every event.

The current goals of NLEC PH are as follows:
1. Create an awareness campaign that the ‘Live Event Industry’ is a large sector.
2. Work together with the government in creating realistic plans and strategies for safety precautions for our audience and workforce from ingress to egress.
3. Call attention to the catastrophic effects of Covid-19 on the business of live events.
4. Ensure that every sector of the industry is included in the ongoing national conversation in seeking help and assistance for our industry.

Among the personalities who are supporting this alliance include Lea Salonga, Martin Nievera, Rowell Santiago, Lisa Macuja Elizalde, FDCP chair Liza Diño-Seguerra, Pangasinan Congressman Christopher “Toff” De Venecia (son of Manay Gina De Venecia and former House Speaker Joe De Venecia), and many more.

For further information, visit the NLECPh Secretariat on Facebook — www.facebook.com/nlecph.secretariat.5

Use Hashtags:
#WeMatter
#WeCOUNT
#LiveEventsPH
#NLECPH
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News: Virgin LabFest 2020 goes on Virtual Stage in time of COVID

VLF 2020 Virtual Edition banner 01b

THE Virgin Labfest braves a new front and adjusts to new realities as the playwrights, directors and actors take a further leap of faith to bring the annual festival of untried, untested and unstaged works on a virtual stage. In response to the COVID 19 crisis, the theater festival will have its lockdown edition, slated on June 10 to 28, 2020.

Dubbed “VLF 2020 KAPIT: Lab in the Time of Covid (A Virtual Labfest Lockdown Edition),” the 16th edition will feature nine new works, three revisited works, and six staged readings.

The nine main performances are: “Doggy” by Dustin Celestino, directed by Roobak Valle; “Pilot Episode” by Floyd Scott Tiogangco, directed by Giancarlo Abrahan; “Dapithapon” by Jay Crisostomo IV, directed by Sigmund Roy Pecho; “Papaano Turuan ang Babae Humawak ng Baril” by Daryl Pasion, directed by Erika Estacio; “BlackPink” by Tyron Casumpang, directed by Jethro Tenorio; “Multiverse” by Juliene Mendoza, directed by Fitz Edward Bitana; “Titser Kit” by Jobert Grey Landeza, directed by Adrienne Vergara; “Mayang Bubot sa Tag-araw” by Mark Norma Boquiren, directed by Mark Mirando; and, “Gin Bilog” by Luisito Nario, directed by James Harvey Estrada.

In “Doggy,” a man’s fiancee’s sexual peculiarity becomes his source of repressed anger. Frustrations surface after a game of “Never Ever Have I Ever,” when he learns that his fiancee was more sexually adventurous with her previous lovers.

Pilot Episode” shows a young gay man who just quit his job through a text message, and how his parents attempt to de-escalate his extreme manic-depressive episode.

Dapithapon” follows the story of three boys in their senior high school years who have to confront their greatest fears in a single day: flunking out of school, impossible parental expectations, and an unhealthy infatuation with a teacher. They fervently cling to one another and try fruitlessly to preserve their friendship before they are forever parted by circumstance.

Returning home from an encounter against the NPA, a man reunites with his pregnant wife in “Papaano Turuan ang Babae Humawak ng Baril.” The sweet homecoming turns out to be the complete opposite when the wife is confronted with her husband’s impossible request.

An online rehearsal by the cast of Papaano Turuan ang Babae Humawak ng Baril for the Virgin Labfest 2020 lockdown edition.

In “BlackPink,” a father discovers that his youngest son who is a staunch fan of Blackpink was prohibited by his school principal to dance “Kill This Love” in their Family Day talent contest, and the only way for him to join the competition is if he finds other male students to dance with him. Will he be able to join the Family Day? and dance the BlackPInk hit song?

The cast of BlackPink, one of the participating plays in the Virgin Labfest 2020 lockdown edition during online rehearsals.

Multiverse” reunites two estranged brothers – a writer and a recovering alcoholic. The two reconnect through their mutual love of comic books. As they discuss the concept of alternate realities and dimensions prevalent in most comic book stories, they imagine how much better their relationship would have been in another reality. What if a different reality slowly reveals itself to the two estranged siblings?

When a young student gets into trouble in his new school and becomes what punishment the Principal might sanction him with, he hides inside a dilapidated storage room. He feels safe until “Titser Kit” finds him there.

First reading done online by the cast of Titser Kit, one of the participating plays in the Virgin Labfest 2020 lockdown edition.

Mayang Bubot sa Tag-araw” is a painful tale of two Ayta children whose friendship is tested as they choose different paths. One follows her mother as she seeks the American dream, never thinking of who is hurt along the way. The other remains with their people, working always against oppression.

In “Gin Bilog,” old issues are rehashed in a drinking session of family and friends.

The cast of Gin Bilog, one of the featured plays in the Virgin Labfest 2020 lockdown edition during an online rehearsal.

The Revisited Plays include: “Fangirl” by Herlyn Alegre, directed by Charles Yee; “Anak Ka Ng” by U Z Eliserio, directed by Maynard Manansala; and “Wanted: Male Boarders” by Rick Patriarca, directed by George De Jesus III.

Also catch the Staged Readings: “Jenny Li” by Buch Dacanay, directed by Nour Hooshmand; “Dominador Gonzales – National Artist” by Dingdong Novenario, directed by Joel Bunny Cadag; “LadyMasters” by Rouchelle Dinglasan, directed by Joy Cerro; “Matira ang Matibay” by Bernice Dacara, directed by Alon Segara; “Bagahe” by Nicko de Guzman, directed by Joel Saracho; “Mongoloida’s Casa de Pun” by Claro delos Reyes, directed by Guelan Luarca.

Online rehearsal by the cast of Dominador Gonzales: National Artist, one of the featured staged readings in the Virgin Labfest 2020 lockdown edition.

There will be a VLF Playwright’s Fair, one of the components of the theater festival. A collaboration of the CCP Intertextual Division, the VLF Team and The Writers’ Bloc’s Rody Vera, the fair features Filipino writers. There will be online discussion and digital marketing platform for the expertise, services, publications and other products of writers of theatrical productions.

The VLF Playwrights Fair is free and open to public. It will be held online every 7:00 p.m. during the VLF 2020. Check the FB page of VLF 2020 for the complete line up of speakers and activities.

“The Virgin Labfest is here, and it remains strong and able to adjust to new realities. The festival has a firm fan base which has filled the CCP theaters year in and year out. Let’s continue to tell our stories on the virtual stage,” said festival director JK Anicoche.

Established in 2005, the Virgin Labfest is co-presented by the Cultural Center of the Philippines, its resident theater company Tanghalang Pilipino and the playwrights’ group Writer’s Bloc Inc.

For more details, visit the CCP website and official social media accounts, and the VLF Facebook account.

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News: Tanghalang Pilipino goes online with PansamanTanghalan, Bridging the Gap between Onstage and Online.

Tanghalang Pilipino, PansamanTanghalan

The NCOV-19 pandemic may have caused stage productions to prematurely close, but Tanghalang Pilipino (TP), the resident theater company of the Cultural Center of the Philippines (CCP), has prepared a slew of programs on its temporary home – the digital platform.

Aptly-billed “PansamanTANGHALAN,” this program aims to defy the limitations brought about by this crisis and with the use of the online platform, to continuously educate and awaken the cultural consciousness of Filipinos, not just in the country, but all over the world.

“To say that this is a trying time for the industry would be an understatement. A lot of us are anxious on how this pandemic would usher in a new norm, but as artists, we have to soldier on and find ways to effectively reach our audience in dire need of inspiration,” says TP Artistic Director Nanding Josef. “So, I hope everyone will join us in our temporary home, our ‘PansamanTANGHALAN,’ the digital world.”

In partnership with the Cultural Center of the Philippines, “PansamanTANGHALAN” released Virgin Labfest (VLF) 14’s “Mga Eksena sa Buhay ng Kontrabida” last April 22, on Wednesday, at exactly 3 p.m. The play stars TP Actors Company Senior Member JV Ibesate with Jay Gonzaga, Earl Figuracion, Richard Manabat and Lian Silverio. This particular play, written by Dustin Celestino and directed by Roobak Valle, was revisited for the 15th season of the VLF. Also another VLF entry was released last April 28, “Hintayan ng Langit” written by Juan Miguel Severo which stars real-life couple Nonoy Froilan and Edna Vida Froilan. It is Directed by Sir Raffy Tejada. Hintayan ng Langit was also adapted into a film in 2018, starring Gina Pareño and Eddie Garcia, and directed by Dan Villegas.

Last April 24, TP’s latest production “Batang Mujahideen,” written by Malou Jacob and directed by Guelan Luarca- Varela, have premiered online via the CCP Youtube channel. This critically-acclaimed staging features the members of the TP Actors Company with guest artist Iman Ampatuan.

Batang Mujahideen Presscon Photos by Erickson dela Cruz:

This May, a timely reading of a new monologue by revered playwright Layeta Bucoy entitled “Doc Lolo” will be performed by no less than TP Artistic Director Nanding Josef will signal the launch of TP’s reinvigorated Facebook page. “Lolo Doc” tackles the timely plight of our elderly frontliners during this pandemic.

Engagement projects will also be launched on TP’s other social media accounts – Twitter and Instagram.
TP is also launching its own Youtube channel carrying exclusive, fresh content, especially curated for the digital market and fans of TP and Philippine theater. It presents highlights and musical numbers from past productions “Balag At Angud,” “Nang Dalawin Ng Pag-ibig Si Juan Tamad,” among others.

This Youtube channel will also be the launching ground for future projects as online presentations. It will also feature a fresher version of TP classics and hits. Guests artists will take part in this endeavor.

In celebration of Apolinario Mabini’s death anniversary this May 13, TP will partner with an industry giant to premiere the latest staging of “Mabining Mandirigma.” Topbilled by international theater star Monique Wilson with David Ezra and Arman Ferrer, this staging is the most successful of the four runs of the musical, directed by Chris Millado.

Also in the works are exclusive online workshops to be given by TP friends, alumni, and current members of the Actors Company.

TP is also a part of “Open House,” an ongoing online fundraising project for the benefit of the Performing Arts community, which has been greatly hit by the current enhance community quarantine.

“PansamanTANGHALAN” is supported by the Cultural Center of the Philippines, OKADA, Asian Institute for Distance Education and ABS-CBN’s ticketing platform KTX, Island Rose, Cocolife, AIDE, and OKADA.

#PangsamanTanghalan is now streaming! You can subscribe to our official YouTube channel here: http://youtube.com/tanghalangpilipino

For sponsorships and collaborations, you can email us at tanghalangpilipinomarketing@gmail.com or contact 0999-8843821.

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News: CCP ARTHOUSE CINEMA’S EUROPELIKULA PRESENT ‘DIAMANTINO’

EuroPelikula

FOR its second offering this year, Europelikula, a monthly showcase of festival films from European Union member  countries jointly curated by CCP and the EU Delegation, will screen “Diamantino” by Gabriel Abrantes aand Daniel Schmidt on February 29, 5pm, at the Tanghalang Manuel Conde.

The film tells about the world’s premiere soccer star, named Diamantino, who loses his special touch and ends his career in disgrace.  Searching for a new purpose, the international soccer icon sets on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification, and the hunt for the source of genius.

Europelikula aims to foster cultural exchange, specifically through film, between Europe and the Philippines.  It is a new section under the CCP Arthouse Cinema, a program by the CCP Film, Broadcast and New Media Division which aims to promote appreciation among “newbies” and cineastes.

The CCP ArtHouse Cinema provides free screenings of indie films, award-winning Filipino animation, documentaries and themed sections, accompanied by talkbacks with directors, actors, and critics.  Other sections include Cinemulat, Pelicoolab: Gawad Alternatibo Specials, Cinemalaya Flashback Fridays, and World Cinema Series.

Starting February 29, Europelikula will be giving out freebies for early birds. CCP Film Society cardholders must RVSP to ccp.fbnmd@gmail.com and arrive earlier than 2:45pm, or their slots will be given to walk-in audience. For walk-ins, registration is in front of the theater, and starts 30 minutes before screening.

For more information, call the CCP Film, Broadcast and New Media Division at 8832-1125, local 1702 & 1705.  Or visit the CCP Facebook accounts and website (www.culturalcenter.gov.ph)

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News: Ballet Manila to end 24th season with a triple treat double bill

BALLET MANILA Carmina Burana and La Traviata cover

A double-bill grand finale that also brings a triple treat of classical elements. This is how Ballet Manila intends to conclude its most unforgettable 24th performance season.

Following Sleeping Beauty which was filled with enchantment and romance, Ballet Manila will go on a different route as it takes on a production about tragedy, death, and other inexorable fates of mankind with its latest production – Carmina Burana and La Traviata. This rare and powerful performance will combine classical ballet and music, and opera for a one-of-a-kind spectacular production scheduled on March 7, 2020, 6:00 p.m. and on March 8, 2020, 3:00 p.m. at the Samsung Hall, SM Aura Premier, Taguig.

Rudy de Dios. Photograhed by Erickson Dela Cruz.

Carmina Burana is a scenic cantata based on a series of 13th-century songs, while La Traviata is an Italian opera that tells the ill-fated story of a beautiful young courtesan wasting away from tuberculosis and her relationship with a young bourgeois from a provincial family. These timeless works of art will be seen in new light with Ballet Manila’s sophisticated dancing and creativity.

Rudy de Dios, a former principal dancer of Ballet Manila, created a choreography based on the music of Carmina Burana, including the famed “O Fortuna.” On the other hand, Ballet Manila CEO and artistic director Lisa Macuja Elizalde brought the story of Violetta and Alfredo to life once again by choreographing La Traviata.

Leading the ensemble of Carmina Burana are Romeo Peralta as Solom, Gerardo Francisco as Spreo, Joan Sia as Agape, and John Ralp Balagot as Atheos. While, La Traviata will come to life with Nicole Barroso as Violetta, Mark Sumaylo as Alfredo, John Ralp Balagot as Giorgio Germont, and Joshua Enciso as Baron.

Ballet Manila’s Carmina Burana and La Traviata is truly something to look forward to because, aside from great display of artistry, this spectacle will mark the end of a challenging yet fulfilling season filled with a lot of ups and downs for Ballet Manila.

Ballet Manila’s Trivia on Carmina Burana.
Excerpts from Carmina Burana and La Traviata were presented during the presscon, and here are some stills captured by Photographer Erickson dela Cruz:

Ballet Manila's Carmina Burana and La Traviata (5)
Ballet Manila's Carmina Burana and La Traviata (4)
Ballet Manila's Carmina Burana and La Traviata (7)
Ballet Manila's Carmina Burana and La Traviata (8)
Ballet Manila's Carmina Burana and La Traviata (10)
Ballet Manila's Carmina Burana and La Traviata (3)
Ballet Manila's Carmina Burana and La Traviata (6)
Ballet Manila's Carmina Burana and La Traviata (9)
Ballet Manila's Carmina Burana and La Traviata (11)
Ballet Manila's Carmina Burana and La Traviata (12)
Ballet Manila's Carmina Burana and La Traviata (13)

Ballet Manila's Carmina Burana and La Traviata (14)
Mam Lisa Macuja Elizalde with the Ballet Manila dancers preparing to answer some questions from the Press.

 

Ballet Manila's Carmina Burana and La Traviata (15)
The cast and artistic team of Ballet Manila’s Carmina Burana and La Traviata.

 

For tickets to Ballet Manila’s Carmina Burana and La Traviata, call SM Tickets at (02) 8470 2222 or log on to www.smtickets.com 

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News: SIX ‘VIRGINS’ TO LIFT CURTAINS AT VLF 16

Virgin Labfest logo 2

SIX ‘Virgins’ playwrights made it to the 16th edition of the Virgin Labfest, the annual festival of untried, untested, unstaged and unpublished theater works, happening on June 10 to 28, 2020, at the Cultural Center of the Philippines.

The VLF virgins who will make their debut in the upcoming theater festival include: Sorsogon-based writer Jobert Landeza who penned “Titser Kit”; Mark Norman Boquiren, with his “Mayang Bubot sa Tag-araw”; Floyd Tiogangco, with “Pilot Episode”; Daryl Pasion, with “Papaano Turuan Ang Babae Humawak ng Baril”; Luis Nario, with “Gin Bilog”; and film director Bibeth Orteza who is the only woman playwright, with “Bituing Marikit.”

Completing the final list are: Tyron Casumpang, with “Black Pink”; Anthony Kim Vergara, with “The Boy Boy and Friends Channel”; Juliene Mendoza, with “Multiverse”; Jay Crisostomo, with “Dapithapon”; Juan Ekis, with “‘Nay May Dala akong Pansit”; and Dustin Celestino, “Doggy.” These six playwrights have participated in the previous editions of the festival.

For the Stage Readings, six works have been selected; three of which are written by “virgin” playwrights, namely “Jenny Li” by Buch Dacanay, “Matira ang Matibay” by Bernice Dacara, and “Mongoloida’s Casa de Pun” by Claro delos Reyes. Other featured stage reading works are: “LadyMasters” by Rouchelle Dinglasan, “Bagahe” by Nicko de Guzman, and “Dominador Gonzales — National Artist” by Dingdong Novernario.

VLF festival director JK Aninoche expressed his gratitude to all the writers who “have shared their visions and voices to us.” The 12 finalists chosen for full-staging were selected from the 290 submitted entries.

VLF founder and former festival director Rody Vera and dramaturg Ina Azarcon Bolivar helped in selecting this year’s unique set of plays.

“I’m very excited on the richness of thought-making and breadth and depth of representation of human condition and contemporary life in this year’s edition of the VLF. Masayang may mga kasana sa pagsulong at paglikha. I’m looking forward to the VLF as a collaborative development platform for untried, untested and unstaged plays,” shared Aninoche.


Co-presented by the Cultural Center of the Philippines, acclaimed theater company Tanghalang Pilipino and Manila-based playwrights’ group Writer’s Bloc Inc., this year’s VLF follows the theme “Rurok.” Established in 2005, the VLF aims to provide Filipino playwrights a venue to present their unpublished, untried, untested and unstaged works to the theater-going public.

Follow VLF on Social Media, or visit www.culturalcenter.gov.ph for more information and promo. Connect with VLF by using hashtags: #virginlabfest #vlf16 #vlf2020 #vlfrurok #CCPVirginLabfest #untrieduntestedunstaged

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News: Cinemalaya is looking for entries to 2020 SHORT FEATURE CATEGORY

Cinemalaya 2020 Call for Entries

ENTRIES are now being accepted for the Short Feature category of the 2020 Cinemalaya Philippine Independent Film Festival. Deadline for submission is on or before February 28, 2020 (Friday), 6:00 p.m.

Open to all Filipino filmmakers, the Film, Broadcast and New Media Division accepts online or offline submission. For online submission, visit bit.ly/Cinemalaya2020SubmitShortFeat, fill out the online entry form and upload your film with the filmmaker’s profile.

For offline submission, the submission requirements include: a duly completed application form, a brief résumé/bio-data with two recent 2×2 photos of the filmmaker(s), synopsis in English, and the final work in MP4 format, with violator, saved in on DVD (1 copy) or USB. The final work should be properly labelled with the title, production company address (if any), contact numbers, production date, and director’s name. Its running time should not exceed 20 minutes, inclusive of the credit titles.

All entries must be submitted in a long brown envelope, properly labeled with proponent’s name, title and contact details.

Interested participants must submit the requirements to the Film, Broadcast and New Media Division, located at the 4/F Cultural Center of the Philippines (CCP), Roxas Boulevard, Pasay City.

The ten (10) best short features will be announced on May 12, 2020 (Tuesday), and will be screened on the Cinemalaya Philippine Independent Film Festival, slated on August 7 to 16, 2020.

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News: Daloy Dance Co. will perform a 3-hour interactive dance called Transcendance on Valentines Day

TranscenDance cover
Choreographer, contemporary performer, movement facilitator, Ea Torrado will offer a 3-hour interactive performance called Transcendance – A Daloy Movement on February 14 at Kondwi in Makati, as part of the 2020 Fringe Manila Art Festival, with live music by DJ Ed Croix. The performance will include an opening performance by K.Go, a Brooklyn-based artist, called “Hungry Ground”.

Originally trained in Ballet, Ea started Daloy Movement in 2014 as an embodied research on dance as a healing practice. She arrived at a place of fulfilment after many years as a company dancer first with Ballet Manila then Ballet Philippines and wanted to break free and shift her footing to a new flavour of expression. Coming from the highly technical, precise, and formalized movement world of Ballet, her exploration and exposure to Physical Theatre, Yoga, somatic practices, and community work, introduced Ea to a language of dance that is both rawfully beautiful and inclusive.

In a Daloy Movement Jam, all bodies and all backgrounds are welcome. The participants move to bracing music as Ea guides through winged verbalization of anatomical cues and imagery prompts that birth the space for each body to flow through the state of order, swell exponentially into chaos, and be trance-ported back into order again.
Titled, “Transcendance”, the movement jam aims to destroy and transcend the popular notion of love as clinginess and death without the other.

Daloy Movement also espouses the principle of a fluid payment scheme where the participants pay based on their economic capacity and their perceived value of the experience. This serves as a reflection of the body’s accessible and encompassing availability to be free. Expect to be enthralled by a live show of mind-body dance and cathartic release that our ancient ancestors knew very well.

Transcendance” is co-presented by Daloy Dance Company, Kondwi, and 10 Days of Art for Art Fair PH.

When asked, why is the title Transcendance? Ea asnwers, “Hmmm perhaps to Transcend through dancing And to transcend the common misused meaning of love in pop songs that is associated with clinginess or dying without the other etc.”

Ea Torrado

Cited as one of the most exciting and sought-after contemporary dancer-choreographers in the Philippines today, Ea creates visceral and evocative works that have been presented in numerous sites and stages in Manila and abroad. Rigorously trained in classical ballet from a young age, Ea has essayed principal and soloist roles in traditional and contemporary full-length dances, and toured extensively in the Philippines and abroad. She is the founder and artistic director of Manila-based dance theatre group, Daloy Dance Company. Her creations manifest in site-specific work, film, installation, improvisational performance and dance theatre pieces. She was awarded the prestigious Alvin Erasga Tolentino Koreograpiya Award (2014), Remedios De Oteyza Award for Choreography (2016) and Asian Cultural Council Grant (2017). She is also a member of World Dance Alliance- Philippines and (ICONS) International Consortium for Advancement in Choreography.

Daloy Dance Company

Daloy DC is committed to the appreciation and critical understanding of dance by realizing the creation of new choreographies and workshops by Ea Torrado and her guest artists.

Since 2014, Daloy Dance Company has made waves in the Manila art scene by fulfilling its founder and artistic director, Ea Torrado’s vision of generating daring and evocative dance theatre pieces with an ever-evolving group of dancers, thespians and artists from diverse backgrounds. Nominated by Aliw Awards as Best Dance Company of 2017 and Best Classical Dance Company of 2017, and Outstanding Contemporary Dance Group by The Philippine Leaf Awards 2019, the company has performed in a range of dance and art festivals in the Philippines and abroad, Japan, Korea, Thailand and USA, among others. They have also worked with guest teachers from Sweden, Singapore, USA, Australia and Canada. Capturing the energy and philosophy of Ea Torrado’s exploration of the human body as an instrument to provoke reflection and dialogue, Daloy has co-produced Walang Hiya Festival, Sayaw Galaw, Ugnayan Community Program, Tanghal at Talakay, and Daloy Movement— dance workshops that utilise dance as a tool for personal development, empowerment and change.

Daloy Dance Co. Photographs by Erickson Dela Cruz:
Daloy Dance Co (Photo by Erickson Dela Cruz) 001
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DancingUnashamed_DaloyDance_Sze_WalangHiya (Photo by Erickson dela Cruz)
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KGo With Opening Performance titled ‘Hungry Ground’

K.Go is a Manila born experimental movement artist & biomythographer from Connecticut currently based in New York. She is inspired by questions around migrations, time travel or timelessness, shape shifting or shaping, queering and queer futurity. She has shared her work at Movement Research at Judson Memorial Church, Dancers Unlimited, Miguel Gutierrez’s Landing 3.0 at the Gibney Dance Center and is currently working with artist Lu Yim, at the Center for Performance Research. She is continuously grateful to have opportunities to share and move with others.

Follow FRINGE Manila Fanpage for more info.

 

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News: Pineapple Lab Opens 2020 with an Exhibition by Yasmin Almonte

PineappleLab _Unmasked

PINEAPPLE LAB UNMASKS ITS FIRST EXHIBITION FOR 2020

Get into the mind of the woman who has mentored some of today’s most talented visual artists and mother to one of Philippine Theater’s most-gifted young actresses – in what she says could one of her last exhibitions.

“I start with nothing. No preconceived ideas, no studies, no nothing. But this emotion I have inside of me in that moment? How do I express this emotion?”

With her instinctual, visceral approach to creating new work, Yasmin Almonte allows her thoughts and emotions to unravel organically. “I paint very fast. I can finish a work in three hours,” Yasmin says about her process, an instantaneous surge of paint and passion. The result can be seen in her new exhibition Unmasked, a journey through her diaristic process and a celebration of life through a deeply expressionistic and vital series of paintings.

Currently a professor at the University of the Philippines with a Masters of Arts Degree in Painting from the University of Northern Iowa, she brings her mastery of technique to an annual solo exhibition of her works. Her new show at Pineapple Lab, Unmasked, is a collection of paintings created over the past year, reflecting the movements of her day-to-day life as well as her liberation from fear and loneliness.

A cancer survivor, Yasmin has long-portrayed the evolution of her attitude towards life and those around her. “My works were galit, maangas, angsty,” she says of her oeuvre prior to her diagnosis with malignant fibrous histiocytoma nearly ten years ago. “My work started changing because my cancer taught me to be many things. Before cancer, I felt so alone and unloved…and I hated it. I learned to be forgiving. I learned that people loved me and wanted me to live. My paintings changed from that black and red period to flowers, to vibrant colors, to life.”

Variations on flowers, be it in full bloom, in color, or wilting, is a featured subject in Yasmin’s works, embodying the dynamism of her own thoughts and emotions. One work, entitled “BEYOND MEMORIES” curiously features unpainted outlines of flowers. “I thought, my god! I don’t need to paint the flowers because the flowers are gone. I cannot bring the flowers back. They are just memories,” Yasmin says. Embracing the feeling of loss, she left the flowers in their sketch form and painted the negative space surrounding them. Yasmin says, “When I paint it’s my way of reaching out, of taking away, of being able to exhale from the pain and expose it onto canvas and make something sad or painful into something beautiful.”

She owes much of her zeal to those around her, especially her daughter, the theatre actress, director, and professor Missy Maramara, who she has portrayed in a painting called “The Actress.” Depicting Missy in the taxing title role of “Ang Dalagita’y Isang Bagay na ‘di Buo” (staged by Dulaang UP In 2018), she not only expresses the character’s sorrow, but also highlights the generosity and unyielding spirit of the artist behind it.

After thirty-three years of practice, and having taught some of today’s most prominent contemporary visual artists like Leeroy New, Celeste Lecaroz, Marc Malto, Riel Jaramillo Hilario, Rebie Picazo Ramoso, Louie Talents, Leo Veloso, and a plethora of others, she feels that this may be one of her last exhibitions. “This is a very weak body, but not a weak soul,” Yasmin says. Even then, her work and sense of resolve have become more vital than ever. “When I am painting, I forget my labels, I forget my body, I forget my age. I am getting stronger.”

                 Unmasked opens January 24, 2020 at 6 PM. Works will be available for viewing starting January 24, 2020 to February 2, 2020. Pineapple Lab Gallery is located at 6053 R. Palma Street, Barangay Poblacion, Makati City. Operating hours are 11 AM to 6 PM from Tuesdays through Sundays.

TO REQUEST CATALOGUE, contact the Team at Pineapple Lab by sending an email to james.pelim@pineapplelab.ph

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News: AJ Mitchell Live in Manila

AJ Mitchell (photo) sm

Gather all your friends for AJ Mitchell’s Manila mall shows!

American pop sensation AJ Mitchell is set to serenade and meet his Filipino fans for an upcoming series of mall tours.

The eighteen-year-old pop singer-songwriter will be performing in select Megaworld Lifestyle Malls, from January 17 to 18, 2020 with the following schedule:

      • 01/17/20: Uptown Bonifacio (Friday, 7pm)
      • 01/18/20: Venice Grand Canal Mall (Saturday, 3pm)
      • 01/18/20: Eastwood City (Saturday, 7pm)

    “This will be my first time in the Philippines,” the teen heartthrob reveals in an interview.
    “I’m so excited to experience the culture and see as much as I can while there. I can’t wait to eat the amazing food and hopefully see some of the beaches as well.”
    With Nathan Huang of Nathan & Mercury and featuring Any Name’s Okay as opening act, the American recording artist will perform some fan favorites, including the mid-tempo jam “All My Friends” and the global smash “Slow Dance.”

Getting to know AJ Mitchell

With a slick and show-stopping voice, charismatic personality, and sharp songwriting chops, it’s no surprise that the fast-rising star has already charted three hits on the US top 40 radio chart in a span of less than two years: “Girls,” “All My Friends,” which peaked inside the top 25, and the Ava Max duet “Slow Dance,” now ranked #29 and still climbing.

In terms of streaming, AJ Mitchell has racked up more than 100 million streams and 4.15 million monthly listeners on Spotify, cementing himself as 2019’s most promising male artist.

Outside the US, the Philippines is considered to be one of the biggest music markets of AJ Mitchell, whose latest single “Slow Dance,” a collaboration with hit-maker Ava Max, is currently making waves in local streaming playlists and top 40 radio stations. “I was pleasantly surprised when I first learned this and I’m so excited to finally get to meet some of my Filipino fans,” the young musician/performer opens up about the warm reception on his previous and recent releases.

As for Ava Max, the pop phenom who has shown significant international attention with “Sweet and Psycho,” which topped the charts in 26 countries and landed a top 10 peak at the Billboard Hot 100 last year, the All My Friends singer has always been vocal about admiring her work ethic and talent. “Working with Ava Max was such an incredible experience. After sending her the track, she sent back her verse within hours. Even on the very first take she sounded so amazing that we immediately knew she was the one for the song.”

New album in the works

This year, AJ Mitchell will be releasing his debut full-length album under Sony Music. “This has been a wild ride so far and every day I think of how blessed I have been,” the budding pop personality reflects. “Over the next few years, I have so much more I hope to accomplish. Right now I can’t wait to finally release my first album called Skyview. Beyond that, I hope to have a #1 song, win a Grammy, go out on an international tour, and so much more.”

AJ Mitchell’s latest single “Slow Dance” is now available on all music streaming and download platforms worldwide.

You can watch the official music video of “Slow Dance” on Youtube, and stream the track in its entirety on Spotify.

 

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News: THE BAND’S VISIT COMPLETE CAST ANNOUNCED

Atlantis Theatrical’s THE BAND’S VISIT poster

Atlantis Theatrical Entertainment Group is thrilled to announce that musical theatre performers Jep Go, Dean Rosen, Steven Conde, Rhenwyn Gabalonzo and Leanne Mamonong complete the cast of the Tony and Grammy Award-winning musical THE BAND’S VISIT, which opens in March at the Carlos P. Romulo Auditorium, RCBC Plaza, Makati.

Jep Go, a finalist of Team Lea on The Voice,  has appeared in musicals such as SWEENEY TODD, BEAUTIFUL, ETO NA! MUSIKAL NAPO, and MADAGASCAR. He will be playing the Telephone Guy, the hopeless romantic patiently waiting for his girlfriend to call him at the town’s only payphone.  Dean Rosen, who has appeared in SWEENEY TODD, BEAUTIFUL, WAITRESS, and SPAMALOT, plays Zelger, the cheeky and self-asserting friend of Papi’s who sets Papi up with Julia.  Steven Conde, who has appeared in SWEENEY TODD, WAITRESS,  and KINKY BOOTS, plays Simon, the second in command of the Egyptian Police Band, eager to try his hand at conducting.  Rhenwyn Gabalonzo, whose credits include BEAUTIFUL, MATILDA, KINKY BOOTS, and JERSEY BOYS, will play Camal, a musician trying to contact the Egyptian embassy and competes with the Telephone Guy for the use of the town’s singular payphone.  Leanne Mamonong is a recording artist who has also taken to the stage with Metta Assumption Theatre under the tutelage of Ana Valdes-Lim. They join previously announced cast members Menchu Lauchengco-Yulo (Dina), Rody Vera (Tewfiq), Mark Bautista (Haled), Nino Alejandro (Avrum), Reb Atadero (Papi), Bibo Reyes (Itzik), Jill Peña (Iris), Maronne Cruz (Julia), and Floyd Tena (Sammy).

THE BAND’S VISIT opened on Broadway in 2018 and went on to win 10 Tony Awards including Best Musical. Based on the acclaimed film, THE BAND’S VISIT tells the story of an Egyptian Police Band that arrives in Israel to play concert. After a mix-up at the border, they are sent to a remote village in the middle of the desert. With no bus until morning and no hotel in sight, these unlikely travellers are taken in by the locals. Under the spell of the desert sky, their lives become intertwined in the most unexpected ways.  It features music and lyrics by David Yazbek and a book by Itamar Moses, and will mark its International Premiere in Manila.

Bobby Garcia, who will be directing the musical, says, “I couldn’t ask for a better cast than this to bring to life these rich, complex, and  human characters. THE BAND’S VISIT has become a modern musical classic, in my eyes, and I think it will be treasured for generations to come. I am extremely proud that we get to tell this story in Manila and bring to life this gorgeous musical with a cast unlike any other.”

THE BAND’S VISIT will have set design by Faust Peneyra, musical direction by Farley Asuncion, musical staging by Cecile Martinez, lighting design by Adam Honoré, costume design by Odelon Simpao, vocal direction by Manman Angsico, projection design by GA Fallarme, hair and make up design by Jaydee Jasa, and sound design by Justin Stasiw.

THE BAND’S VISIT will launch Atlantis’ 2020 season, dubbed as ATLANTIS TWENTY TWENTY. The season will also feature an all-new revival of the award-winning family musical OLIVER!, presented through a special licensing agreement with Cameron Mackintosh Ltd. and Music Theatre International, and ON YOUR FEET!, presented through a special licensing agreement with Theatrical Rights Worldwide and Gloria and Emilio Estefan.

THE BAND’S VISIT runs from March 13 to 29, 2020 at the Carlos P. Romulo Auditorium, RCBC Plaza, Makati City.
Show buying and fundraising opportunities are available now. Email shows@atlantistheatrical.com for inquiries. Tickets are now available at www.ticketworld.com.ph.

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News: Philippine Leaf Awards announces their finalists for the 2019 LEAF THEATER

Philippine Leaf Awards Logo (widen)

The Philippine Leaf Awards proudly announces the finalists for LEAF THEATER 2019. This covers performances from October 1, 2018 to November 30, 2019.

OUTSTANDING PERFORMANCE BY AN ACTRESS IN A MUSICAL

Kim Molina (Rak of Aegis 7/PETA)
Joanna Ampil (Waitress/Atlantis Theatrical)
Shiela Valderrama – Martinez (Passion/Philippine Opera Company)
Aicelle Santos (Himala/9 Works Theatricals)
Krystal Kane (Spring Awakening/Ateneo Blue Repertory)
Tanya Manalang (Ang Huling El Bimbo/Full House Theater Co./Resorts World)

OUTSTANDING PERFORMANCE BY AN ACTOR IN A MUSICAL

Sandino Martin (Spring Awakening/Ateneo Blue Repertory)
Vien King (Passion/Philippine Opera Company)
Arman Ferrer (Mabining Mandirigma /Tanghalang Pilipino)
Gian Magdangal (Ang Huling El Bimbo/Full House Theater Co./Resorts World)
David Ezra (Mabining Mandirigma/Tanghalang Pilipino)

OUTSTANDING PERFORMANCE BY AN ACTRESS
IN A FEATURED ROLE (MUSICAL)

Bituin Escalante (Waitress/Atlantis Theatrical)
Marriela Munji Laurel (Binondo/MA-Yong Foundation)
Carla Guevara-Laforteza (Ang Huling El Bimbo/Resorts World)
Maronne Cruz ( Waitress/Atlantis Theatrical)
Bernadette Mamauag (Noli Me Tangere The Opera/J&S Production)

OUTSTANDING PERFORMANCE BY AN ACTOR
IN A FEATURED ROLE (MUSICAL)

Nino Alejandro (Waitress/Atlantis Theatrical)
Rody Vera (Rak of Aegis 7/PETA)
Vince Lim (Rak of Aegis 7/PETA)
Bibo Reyes (Waitress/Atlantis Theatricals)
Juancho Gabriel (Spring Awakening/ Ateneo Blue Repertory)

OUTSTANDING ENSEMBLE CAST FOR A MUSICAL

Spring Awakening (Ateneo Blue Repertory)
Binondo, A Tsinoy Musical (MA-Yong Foundation)
Ang Huling El Bimbo (Full House Theater Co./Resorts World)
Mabining Mandirigma (Tanghalang Pilipino)
Rak of Aegis 7/(PETA)

OUTSTANDING MUSICAL DIRECTOR

Ejay Yatco (Mabining Mandirigma/Tanghalang Pilipino)

Von de Guzman (Binondo, A Tsinoy Musical/MA-Yong Foundation)
Eugene Belbis (Sleeping Beauty/Kids’ Act Philippines Inc)
Herminigildo Ranera (Noli Me Tangere, The Opera/J&S Production)
Jesse Lucas (Roses for Ben/Artist Playground)

OUTSTANDING DIRECTOR FOR A MUSICAL PRODUCTION

Ed Lacson (Himala/9 Works Theatricals)
Chris Millado (Mabining Mandirigma/Tanghalang Pilipino)
Missy Maramara (Spring Awakening/Ateneo Blue Repertory)
Dexter Santos (Ang Huling El Bimbo/Resorts World)
Jerry Sibal/Jose Jeffrey Camanag (Noli Me Tangere, The Opera/ J&S Productions)

************

OUTSTANDING PLAY

Ang Dressing Room (Dulaang UP)
Katsuri (Tanghalang Pilipino)
Alyas July (Dulaang Filipino/CSB)
Nana Rosa (Dulaang UP)

OUTSTANDING PERFORMANCE BY AN ACTRESS

Missy Maramara ( Stop Kiss/Music Artes)
Bibeth Orteza (Dolorosa/Tanghalang Ateneo)
Peewee O’Hara (Nana Rosa/Dulaang UP)
Delphine Buencamino (If He Doesn’t See Your Face/Arete Productions)
Jill Pena (Dancing Lessons/Twin Bill Theater)
Jenny Jamora (Stop Kiss/Music Artes)

OUTSTANDING PERFORMANCE BY AN ACTOR

Roeder Camanag (Ang Dressing Room/Dulaang UP)
Marco Viana (Katsuri/Tanghalang Pilipino)
Jonathan Tadioan (Katsuri/Tanghalang Pilipino)
Ron Capinding (Dolorosa/Tanghalang Ateneo)
Brian Matthew Sy (If He Doesn’t See Your Face/Arete Productions)
Randy Villarama (Dancing Shoes/Twin Bill Theater)

OUTSTANDING PERFORMANCE BY AN ACTRESS
IN A FEATURED ROLE

Stella Canete (Ang Bahay ni Bernarda Alba/Dulaang UP)
Sherry Lara (Coriolano/Tanghalang Pilipino)
Joan Cabunag (Alyas July/Dulaang Filipino)
Krystle Valentino (Nana Rosa/Dulaang UP)
Jannah Baniasia (Ang Dakilang Teatro ng Daigdig/ CSB School of Design)

OUTSTANDING PERFORMANCE BY AN ACTOR
IN A FEATURED ROLE

Brian Matthew Sy (Coriolano/Tanghalang Pilipino)
Norman Penaflorida (Nakakapagpabagabag/Artist Playground)
Mitoy Sta Ana (Ang Dressing Room/Dulaang UP)
Seth Dela Llana (Alyas July/Dulaang Filipino/CSB)

OUTSTANDING ENSEMBLE CAST

Ang Dressing Room (Dulaang UP)
M. Butterfly National Tour (Frontrow Entertainment)
Alyas July (Dulaang Filipino/CSB)
Manila Notes(Tanghalang Pilipino/Japan Foundation)
Katsuri (Tanghalang Pilipino)
Marat/Sade (UP Dulaang Laboratoryo)

OUTSTANDING DIRECTOR

Carlitos Siguion Reyna (Katsuri/Tanghalang Pilipino)
Alexander Cortez (Ang Dressing Room/Dulaang UP)
Riki Benedicto (Alyas July/Dulaang Filipino/CSB)
Francis Matheu (Dancing Lessons/Twin Bill Theater)
Ed Lacson Jr. (Stop Kiss/Music Artes)
Joy Cerro (Marat/Sade, UP Dulaang Laboratoryo)

OUTSTANDING EMERGING PERFORMANCE ART (Musical or Non Musical)

Mural (Uyat Artista/Jocson College CLDCAS)
Tao Po (Rise Up/Juana Change Movement)
La Luna Roja (Fundacion Centro Flamenco)
The Weight of Words (Black Canvas Theater)

OUTSTANDING PERFORMER IN AN EMERGING PERFORMANCE ART

Elle Ocampo (Mural/Jocson College/CLDCAS)
Mae Paner (Tao Po/Rise Uo/Juana Change Movement)
Tami Monsod (La Luna Roja/Fundacion Centro Flamenco)
Abner Delina Jr. (The Weight of Words/Black Canvas)

OUTSTANDING DIRECTOR EMERGING PERFORMANCE ART

Leo Rialp (La Luna Roja/Fundacion CentroFlamenco)
Ed Lacson Jr (Tao Po/Rise Up/Juana Change Movement)
Jayson Gantan Pabalan (Mural/Uyat Artista/Jocson College CLDCAS
Abner Delina Jr. (The Weight of Words/Black Canvas)

OUTSTANDING PRODUCTION FOR CHILDREN

Tigmamanukin (Artist Playground)
Sleeping Beauty (Kids Acts Philippines Inc.)
Hanggang Isang Araw (UP Dulaang Laboratoryo)
Nia & Anwar/The Whale Shark Tale (Gloria Fantasyland/Dapitan)

OUTSTANDING CULTURAL/THEATER GROUP

Uyat Artista (Angeles City)
Tanghalang Sandaang Pulo (Alaminos Pangasinan)
Aklan Performing Arts Network (Western Visayas)
Kanlaon Theater Guild (Negros Occidental)
Barasoain Kalinangan (Malolos Bulacan)

OUTSTANDING SCENOGRAPHY

Nia and Anwar/The Whale Shark Tale/ Gloria Fantasyland
Katsuri/Tanghalang Pilipino
Alyas July/Dulaang Filipino CSB
Himala/9 Works Theatricals
Hanggang Isang Araw (UP Dulaang Laboratoryo)

BEST SPECIAL EVENTS

Imbukada (Belison, Antique)
70th Anniversary PESA (Phil Electronic Suppliers Assoc)
San Miguel Yamamura Packaging Conference
Pinoy Playlist, BGC
Koryo Mindanao

BEST SPECIAL EVENTS DIRECTOR

Noel Maximo (San Miguel Yamamura Packaging Corp Conference)
Rodel Mercado (70th Anniversary, Federation of Electrical Suppliers)
Basilidas Pilapil (Koryo Mindanao)
Peter Macrohon (Imbukada)

 

THE AWARDING CEREMONY IS SET ON FEBRUARY 8, 2020 (SATURDAY)
at CARLOS P. ROMULO AUDITORIUM RCBC PLAZA, MAKATI CITY, 2 PM – 5 PM

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News: Cultural Center of the Philippines unveiled their line up of programs for 2020.

50CCP Cultural Center of the Philippines 50th year Logo

THE Cultural Center of the Philippines unveiled its 2020 performance season.  CCP vice president and artistic director Chris Millado presented the CCP’s year-long programming in a press conference held recently at the CCP Tanghalang Huseng Batute.

CCP welcomes the new year with forthcoming productions from its resident companies – the Philippine Philharmonic Orchestra, Ballet Philippines, Philippine Ballet Theatre, Tanghalang Pilipino, Ramon Obusan Folkloric Group, Bayanihan Dance Company, UST Symphony Orchestra, National Music Competitions for Young Artists (NAMCYA), and the Philippine Madrigal Singers.  Local and international outreach performance tours are likewise set for some of the resident companies throughout the year.

_14 Dulaang UP Fuente Ovejuna
A scene from Dulaang UP’s production of Lope de Vega’s “Fuente Ovejuna”. Photo by Erickson dela Cruz

A University Theater Season is set in 2020 wherein select university-based theater groups take to the CCP venues to showcase next-generation talent in their productions of original Filipino works, adaptations of classics and experimental work.  The season of university theater productions ramps up to the 13th International University Theater Association’s (IUTA) Congress and Festival to be held in August.

International Filipino tenor Arthur Espiritu leads a stellar international cast from Italy and Manila in the staging of the opera “Lucia Di Lammermoor” by Gaetano Donizetti, the Italian-language libretto written by Salvadore Cammarano based upon Sir Walter Scott’s historical novel “The Bride of Lammermoor.”

Ternocon II, a unique competition involving the young designers in a mentoring atelier workshop with established designers in a process that engages the history, technique, and construction of the classic Filipino terno, culminates in a grand fashion concert where the winners are announced.

Other events include concerts (Triple Threats), festivals (CCP Jazz Festival in Baguio City, Banda Rito Banda Roon: Symphonic Band and Clarinet, The Rainbow LGBTQI Arts; Festival of Arts and Ideas), plays (Tanghalang Pilipino’s “Batang Mujahideen” and “Lam-Ang, an Ethno-Epic Musical”), a production of “Senadala at Persyanus: Ang Bagong Mukha ng Moro by community-based theater organization Komedya ng Don Galo, and other productions. 

Markki Stroem at the Cultural Center of the Philippines, Photo by Erickson dela Cruz
Markki Stroem will be part of the Triple Threats concert series. Photo by Erickson dela Cruz.

Highlights of the 2020 CCP season calendar include the inauguration of the CCP’s newest venue Tanghalang Ignacio Gimenez (CCP Black Box Theater), the first CCP Arts and Social Media Festival, Launching of Rare Digitized CCP Performances Collection of the CCP Library and Archives, and the Genesis Magazine Anniversary Edition, CCP Digital Time Capsule, Luces: Festival of Illuminations, CCP Arthouse Cinema screenings, Philippine Hip-Hop Dance Championship and the like.

 The CCP Encyclopedia of Philippine Art (EPA) will soon be available digitally in 2020 including a Digital Installation, Website launch, Mobile Application, and Offline Version as well.

 There are also the CCP regular events such as the Pasinaya, considered the largest multi-arts festival in the country; the Virgin Labfest, the annual festival of raw, untested and unstaged one-act plays, followed by an Extra Virgin LabFest to be held in other regions; Cinemalaya, the largest independent film festival with the aim to support cinematic works by upcoming and veteran Filipino filmmakers.

 Proud of its art education and outreach programs, the CCP continues to hold various training and workshops for national rondalla, national folk dance for teachers, choral groups, and summer dance, to name some.

 Must-see exhibitions include the following: “1986 People Power Revolution – The aftermath from Cultural Center of the Philippines to Sentrong Pangkultura ng Pilipinas: The Center in the Midst of Change”,  “Valerio Nofuente and Emmanuel Sanchez Collections: The Banned Library Materials During the Martial Law Era”, “Allegories And Realities Ofelia Gelvezon-Tequi: In Retrospect”, Launching of the 21AM (21st Century Arts Museum), “1st of May: The Roles of Amado Vera Hernandez and Isabelo Florentino De Los Reyes in the History of the Labor Movement in the Struggle for Social Justice and Liberation”, Severino Rivera Reyes (1861-1942) “Father of the Tagalog Sarsuwela”, “Launch of the CCP Print Folio: 20/30 I & II: A Limited Edition Print Portfolios in Celebration of the 50th Year Anniversary of CCP”, Cinemalaya Eye Fix, among other shows.

 

HIGHLIGHTS OF THE CCP INSTITUTIONAL PRESSCON:

(posted by Mr. Camilo Villanueva Jr.)

  • The fully editable and interactive Digital CCP Encyclopedia of Philippine Arts, to be distributed free to public schools and universities.
  • Interactive Digital Wall Installations, which not only feature full info on current shows but also layerable timeliness on the different arts, along with a Time Capsule.
  • CCP Digital HD to extend the lifespan of high-budgeted productions to be launched with Virgin Lab Fest’s “Mga Kontrabida” by Lasallian Dustin Celestino.
  • A Dulaang UP production of Lope de Vega’s “Fuente Ovejuna“, the last work of Antonio “Tony” Mabesa+, translated by Nicolas Pichay.
  • The First Social Media and the Arts Festival in May, a brainchild of Irene Rada who is retiring this year.
  • The opening of CCP’s New Black Box Theater, which Tess Rances herself assured will finally push through.
  • The revival of Triple Threats concerts featuring Markki Stroem, among others, and
  • Spinifex Group’s dynamic Audiovisual Light and Video Matting for the CCP Facade in September, 2020

 For more information, please call CCP at 8832-1125 and visit www.culturalcenter.gov.ph

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