I know. I didn’t do much justice with my 250-word review of HENERAL LUNA (2015). I was just too overwhelmed after I saw the film, that I was, admittedly, lost for words.

Now that my mind is quite clear to make a more detailed review, allow me to share my three most favorite scenes.

But before that, I just want to point out that  I understand other people’s sentiments on the film. Some say that it’s a bit inaccurate, and some scenes were unnecessary. I agree. But having said that, my stand on historical film is that it needs not to be accurate to drive home a point. When one delivers an interpretation of history on screen (or in literature), one has the freedom to divert and re-create reality. That’s the beauty in art. The magic begins when one leaves the movie house and develops the desire to research, to validate, to know more. That is what HENERAL LUNA did to me.

So here are top three scenes:

Heneral Luna (2015)
Heneral Luna (2015)

From a top medium shot of the barricade, it is clear that this is a no-nonsense film about war. It de-sensationalizes the familiar hollywood war that we know. Tarog didn’t use any music to heighten the scene. All the music we hear are occassional shouts, shots and shits. Reminds me of the opening scene of Spielberg’s SAVING PRIVATE RYAN (1998).

This scene also establishes Antonio Luna at work. For him, this scorching barricade is his office, his own universe. Here, no bullets frighten him. We get to see how a General sees war and how his soldiers respect or dishonour him. John Arcilla is at his best in this early scene in the film. You feel his comfort and ease amidst the flying bullets and occasional gunshots, and that say so much about him as a man of arms.


Heneral Luna (2015)
Heneral Luna (2015)

This scores a great deal in the entire film. It presents Antonio’s past, without dismissing other important people in his life and our own history. Here, Tarog orchestrates magical story telling at its finest. For once, the ADHD in me was caught unaware and managed to understand the intricacies of our own history in a few minutes of an engaging monologue. All these taken through a single continuing shot. Animation, dramatic transitions and amazing sense of rhythm, all in an engaging single shot!

Reminds me of David Yates‘ hypnotic rendition of The Tale of Three Brothers in his HARRY POTTER AND THE DEATHLY HALLOWS PART 1 (2010).


Heneral Luna (2015)
Heneral Luna (2015)

This, for me, is the most personal of all scenes in the movie. A well composed mise en scène, as a matter of fact. Of course there were devices scattered throughout the entire plot to humanize the central character, but this is the most powerful of them all. See, all Tarog did was to use Luna and his guitar to establish character. Along with the music that comes from his strings, we see Luna’s blank, detached persona. Makes me wonder if he even hears his own music. But we get hypnotized with him as he strums along.

Along with the music, too, are occasional gunshot sounds off-cam. This is dramatic irony at its finest. Music, being regarded as peaceful, patterned, and embellished becomes juxtaposed to something extremely mysterious, violent and fatal. This scene is very unapologetic, yet delivers home a point; that is – all is fair in romance, nostalgia and war.

With its music and theme, it reminds me of the suite from Carol Reed’s THE THIRD MAN (1949).

At this point, Tarog was able to establish, that, to Luna, both the music and the gunshots were just one and the same. It establishes him as the conquering General that he is. Always fighting, always ready to go to war. Music or bullets, here he comes.

But then again there’s the off screen bangs at the door. You jumped when you saw Luna jump. Who would make such a brave man jump, you ask? And then the Mother enters. She slaps Antonio and embraces him. She tells him to sit down and close his eyes. Without a wink, he obliges. This is another dimension in the ironies that are presented in the scene; That despite our braveries, our insensitiveness and calloused souls, we are but helpless little children when it comes to Mother.

There, I said it, na.

Ikaw, ano mga favorite scenes mo?

Tags : heneral lunaheneral luna 2015
Orly S. Agawin

The author Orly S. Agawin

Orly has been writing for The Jellicle Blog since 2008. He is a training and development consultant by day and an art enthusiast by night. He lives in Parañaque with his mom.


  1. For me, that breathtaking drone shot and the following sillhouette shot was really worth mentioning. It was one of the moments when we were really amazed that Filipinos could nail down these kinds of shots.

    1. Hi, Marcy. Thank you for visiting The Jellicle Blog. Sure, I like the death scene. Makes me want to close my eyes. the slow-mos and the gore are just so unbearable to watch. But I think that’s the point. We need to feel the pain and remorse, and then get frustrated with how things turned out for Antonio. I particularly like the way Tarog depicted Juan Luna’s SPOLARIUM after Antonio’s death. Him being dragged on the ground slowly, while the other soldiers were robbing the corpse of their things. The lighting was the same as the lighting in Juan Luna’s masterpiece.

  2. So the piece Heneral Luna was playing during the guitar scene is called Spanish Romance, but what about the end part of it? The intense part of the piece, I’ve watched a couple of videos of Spanish Romance, but they don’t have the intense part.

  3. My favorite scene in Heneral Luna came in 16 minutes at the start of the film. When they were having the battle scene at Kawit. To be particular, the part where everyone was already running away even Guencamino’s son, but this brave soldier stayed and urged everyone to stay. However he was shot fatally and Antonio Luna approached him and raised his rank. He urged him not to speak anymore, but the soldier thanked him in his last words. I seriously cried at the first 16 minutes of this film! I remember this scene so much. Luna called him tinyente, if I remember correctly. And then raised his rank because of his “katapangan sa larangan ng digmaan.” And like I said, this soldier died. I can’t express how much I find this scene crucial for the film. It showed me the bravery of the Filipinos, how Luna is a great leader because he knows who to give respect and praise to, and how the good die early in films.

    I will repeat, and I’m not ashamed to admit this, I cried at the 16 minutes of this film.

  4. I have three favorite scene in the movie, the battle scene in which despite the odds. Luna tried his best to rally and keep the men together. And yes, true leader not only his known for stern decision and discipline but also recognizes who deserves recognition like a young mortally wound lieutenant who was raised to colonel rank on the spot. Knowing, he will survive his wounds but he passes. The 2nd scene the train scene… for me it was hilarious dialogue with the British train manager with english difficulty for Luna ” I’m quite sequestering the train ! ” and my last was the exchange of ego with General Maskardo, where Capt. Rusca was really stressed out in the middle in the exchange.

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