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Rak of Aegis

I was planning to write something on PETA’s RAK OF AEGIS’ re-run. 

But when a dear friend, Gege, suddenly posted one of the best reviews of RAK, I can’t help not sharing this with you. I must say, that we’re on the same page, when it comes to this musical.

Like Gege, I was once a PETA virgin until I saw CAREDIVAS. After that, I never missed a PETA show.

I agree with Gege. That’s the thing with PETA: they just can’t let you leave their theatre seats without teaching a thing or two about your country, your culture, and your life. 

So here goes, and see what Gege has to say. 

***

I am ashamed to admit that I did not expect much. The first time it ran, I scoffed at the pun and assumed it would be a spoof of Rock of Ages and a mockery of the band Aegis. I thought it would be a loosely spun string of songs that would be illogically stretched out to accommodate the band’s repertoire.

To begin with, my narrow music comfort zone did not accommodate the folksy, rocky genre of a band who sings with a strange accent. And then it did not help that on the night itself, I was exhausted from an all-day training workshop with 40 participants, some of whom were rowdy and required subtle disciplining. I felt I would much rather go home to have my much-needed massage.

I grossly underestimated PETA, Aegis, and the power of artistic entertainment to wash away fatigue. One of the quips in the musical was, O for Owkward. And I knew then that I would rate this O for Owesome.

The production values made me want to be a stage designer apprentice, and the performance made me ache in envy at my inability to sing in tune.

Experience Design advocate and theorist Brenda Laurel would approve of how the stage brings the audience into the milieu. I could almost smell the stench of the flood and feel the itch caused by millions of germs in the putrid air. This, they achieved by wrapping the audience around the stage, a stylized yet realistic depiction of Manila’s marshy slums. The bubble and sunflower scenes were a bright respite from the dirty brown overload and showed how well the production could laugh at itself.

The costumes were spot on for the characters, who probably sourced their fashion needs from ukay-ukay stores. Plus there were the more outrageous, campy touches from the fantasy scenes. The lovely variety of botas, the cheap version of Plueys, appealed to my aesthetically-alert eyes.

And of course, the performances–Aicelle Santos is a marvel. As fame-hungry, I’ve-got-to-be-discovered-by-Ellen-de-Genere Aileen, she is convincing and endearing–she disarms you and gets you rooting for her. As a singer, she can belt it out for the diva numbers, and she can tone it down to a tender lilt for the love scenes. She can screech her frustrations in a booming voice that fills the theater, and then she can just as quickly bring it down to a hopeless sigh.

Jerald Napoles is a blast! He looks perfect for the role, for his present life as a love struck gondolier, and for his crazy druggie back story. It would have been easy for him to cross the line to annoying character, but he stays just near the border of lovable. He made we wish I had my own Tolits, utterly in love with me while also being an endless source of life-affirming bellow laughs. (Oh wait, I do.)

The humor! Laugh out loud wit that never goes too low, too dark, too toilet. Satire that does not try too hard. Kudos to PETA for its fresh, relevant injection of Bong Revilla elements.

And the last thing I expected was the message itself (shows you how little I know about PETA, which I now know is always big about social relevance). It is a depiction of poverty, the type that makes people want to stop hoping, the kind where one is never up in the wheel of life. It is a commentary on the Filipino’s fondness for get-rich-quick schemes, or in this case, get-out-of-this-miserable-existence-quick schemes. If it was their intention to rouse and guilt out its apathetic middle class audience when they sang Gumising na Tayo, then they succeeded with me. Yet in the end, there is redemption, a message that when it’s bleak where you are, it’s not magical circumstances that can get you out, but good old Filipino talent and abilidad. One can always hope. And back up that hope with change and action.

Yes,Rak of Aegis rocks. And if you haven’t yet, you’ve got to see it, even if you have to brave flood, rain, hale, and traffic to get there.

Reposted from: The Islander Chronicles

Catch RAK OF AEGIS at the PETA Phinma Theater from June 20-August 30, every Thursday 8:00pm, Friday-Sunday 3:00pm and 8:00pm. For ticket reservations go to www.ticketworld.com.ph, or call TicketWorld at 891-9999. You may also contact PETA at 725-6244 or 0917-5765400 or email petatheater@gmail.com.

Tags : PETARak of Aegisreviewstheatertheater reviews
Orly S. Agawin

The author Orly S. Agawin

Orly has been writing for The Jellicle Blog since 2008. He is a training and development consultant by day and an art enthusiast by night. He lives in Parañaque with his mom.

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